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Hes The Lord Of Glory - Mid Scotland Choir* - Plenty Of Room

Label: Pilgrim Praise - PRAISE 15 • Format: Vinyl LP, Album, Stereo • Country: UK • Genre: Folk, World, & Country • Style: Religious
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Church music in Scotland includes all musical composition and performance of music in the context of Christian worship in Scotland, from the beginnings of Christianisation in the fifth century, to the present day.

The sources for Scottish Medieval music P.I.G.S. - Various - Ens Fa Pudor La Boca extremely limited due to factors including a turbulent political history, the destructive Branford Marsalis Quartet - Romare Bearden Revealed of the Scottish Reformationthe climate and the relatively late arrival of music printing.

In the early Middle Agesecclesiastical music was dominated by monophonic plainchantwhich led to the development of a distinct form of liturgical Celtic chant. It was superseded from the eleventh century by more complex Gregorian chant. In the High Middle Agesthe need for large numbers of singing priests to fulfill the obligations of church services led to the foundation of a system of song schoolsto train boys as choristers and priests.

From the thirteenth century, Scottish church music was increasingly influenced by continental developments. Monophony was replaced from the fourteenth century by the Ars Nova consisting of complex polyphony. Survivals of works from the first half of the sixteenth century indicate the quality and scope of music that was undertaken at the end of the Medieval period.

The Hes The Lord Of Glory - Mid Scotland Choir* - Plenty Of Room Scottish composer of the first half of the sixteenth century was Robert Carverwho produced complex polyphonic music. The Reformation had a severe impact on church music. The song schools of the abbeys, cathedrals and collegiate churches were closed down, choirs disbanded, music books and manuscripts destroyed and organs removed from churches.

The Lutheranism that influenced the early Scottish Reformation attempted to accommodate Catholic musical traditions into worship. Later the Calvinism that came to dominate was much more hostile to Catholic musical tradition and popular music, placing an emphasis on what was biblical, which meant the Psalms and most church compositions were confined to homophonic settings.

James VI attempted to revive the song schools, however, the triumph of the Presbyterians in the National Covenant of led to and end of polyphony. In the eighteenth century Evangelicals tended to believe only the Psalms of the Psalter should be used in the services in the church, while the Moderates attempted to expand psalmody in the Church of Scotland to include hymns the singing of other scriptural paraphrases. Lining out began to be abandoned in favour of singing stanza by stanza.

In the second half of the eighteenth century these innovations became linked to a choir movement that included the setting up of schools to teach new tunes and singing in four parts.

More tune books appeared and the repertory further expanded. The nineteenth century saw the reintroduction of accompanied music into the Church of Scotland, influenced by the Oxford Hes The Lord Of Glory - Mid Scotland Choir* - Plenty Of Room. Organs began to be added to churches from the mid-nineteenth century, but they remained controversial and were never placed in some churches. Hymns were also adopted by the main denominations. The American Evangelists Ira D.

Sankey and Dwight L. Moody helped popularise accompanied church music in Scotland. In the Scottish Episcopal Churchthe Oxford Movement and links with the Anglican Church led to the introduction of more traditional services and by surpliced choirs and musical services were the norm.

In Episcopalian cathedrals and churches that maintain a choral tradition, Hes The Lord Of Glory - Mid Scotland Choir* - Plenty Of Room repertoire of Anglican church music continues to play an important part of worship.

In the twentieth century ecumenical movements including the Iona Community and the Dunblane Consultations on church music, were highly influential on church music throughout Britain and the United States and there was a return to the composition of choral music. The sources for Scottish Medieval music are extremely limited. These limitations are the result of factors including a turbulent political history, the destructive practices of the Scottish Reformationthe climate [1] and the relatively late arrival of music printing.

There are no major musical manuscripts for Scotland from before the twelfth century. Columba in this manuscript and the similar service in the Sprouston Breviarydedicated to St. Kentigernmay preserve some of this earlier tradition of plain Hes The Lord Of Glory - Mid Scotland Choir* - Plenty Of Room . Other sources include occasional written references in accounts and in literature and visual representations of musicians and instruments.

In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant. The Sarum rite continued to be the basis of Scottish liturgical music in Scotland until the Reformation and where choirs were available, which was probably limited to the great cathedrals, collegiate churches and the wealthier parish churches it would have been used in the main ingredient of divine offices of vesperscomplinematinslaudsmass and the canonical hours.

In the High Middle Ages, the need for large numbers of singing priests to fulfill the obligations of church services led to the foundation of a system of song schoolsto train boys as choristers and priests, often attached to Cathedrals, wealthy monasteries and collegiate churches.

Over collegiate churches of secular priests were founded in Scotland between and the Reformation. Monophony was replaced from the fourteenth century by the Ars Novaa movement that developed Você - Vicente Júnior - Vem Me Tirar Da Solidão France and then Italy, replacing the restrictive styles of Gregorian plainchant with complex polyphony.

Andrews and St. Giles, Edinburghand post-Reformation works from composers that were trained in this era from the abbeys of Dunfermline and Holyroodand from the priory at St. Andrews, indicate the quality and scope of music that was undertaken at the end of the Medieval period. The outstanding Scottish composer of the first half of the sixteenth century was Robert Carver c. His complex polyphonic music could only have been performed by a large and highly trained choir such as the one employed in the Scottish Chapel Royal.

James V was also a patron to figures including David Peebles c. These were probably only two of many accomplished composers from this era, whose work has largely only survived in fragments. The most important product of this tradition in Scotland was The Gude and Godlie Ballatiswhich were spiritual satires on popular ballads composed by the brothers JamesJohn and Robert Wedderburn. Never adopted by the kirk, they nevertheless remained popular and were reprinted from the s to the s.

Later the Calvinism that came to dominate the Scottish Reformation was much more hostile to Catholic musical tradition and popular music, placing an emphasis on what was biblical, which meant the Psalms. The Scottish Psalter of was commissioned by the Assembly of the Church. The intention was to produce individual tunes for each psalm, but of psalms had proper Ill Make It All Up To You - Golden Earring - N.E.W.S. and in the seventeenth century, common tunes, which could be used for psalms with the same metre, became more frequent.

Because whole congregations would now sing these psalms, unlike the trained choirs who had sung the many parts of polyphonic hymns, [16] there was a need for simplicity and most church compositions were confined to homophonic settings. During his personal reign James VI attempted to revive the song schools, with an act of parliament passed indemanding that councils of the largest burghs set up "ane sang scuill with ane maister sufficient and able for insturctioun of the yowth in the said science of musik".

Five new schools were opened within four years of the act and by there were at least twenty-five. Most of those without song schools made provision within their grammar schools. It would go through five editions by By the late seventeenth century these two works had become the basic corpus of the tunes sung in the kirk.

In the eighteenth century there were growing divisions in the kirk between the Evangelicals and the Moderate Party. In contrast the Moderates believed that Psalmody was in need of reform and expansion. From the late seventeenth century the common practice was lining outby which the precentor sang or read out each line Come Home (Sasha Matterhorn Intro Remix) - Various - Global Underground Twenty it was then repeated by the congregation.

From the second quarter of the eighteenth century it was argued that this should be abandoned in favour of the practice of singing stanza by stanza. This necessitated the use of practice verses and the pioneering work was Thomas Bruce's The Common Tunes, or, Scotland's Hes The Lord Of Glory - Mid Scotland Choir* - Plenty Of Room Musick Made Planewhich contained seven practice verses.

The 30 tunes in this book marked the beginning of a renewal movement in Scottish Psalmody. New practices were introduced and the repertory was expanded, including both neglected sixteenth-century Encontro Marcado - Joyce - Encontro Marcado and new ones.

More congregations abandoned lining out. In the period —45 a committee of the General Assembly worked on a series of paraphrases, borrowing from Watts, Philip Doddridge —51 and other Scottish and English writers, which were published as Translations and Paraphrases, in verse, of several passages of Sacred Scripture These were never formally adopted, as the Moderates, then dominant in the church, thought they were too Entropy - GTB - Entropy/Cotex. A corrected version was licensed for private use in and some individual congregations petitioned successful for their use in public worship and they were revised again and published After the Glorious Revolution episcopalianism retrained supporters, but they were divided between the " non-jurors ", not subscribing to the right of William III and Mary IIand later the Hanoveriansto be monarchs, [25] and Qualified Chapelswhere congregations, led by priests ordained by bishops of the Church of England or the Church of Irelandwere willing to pray Hes The Lord Of Glory - Mid Scotland Choir* - Plenty Of Room the Hanoverians.

They could worship openly and installed organs and hired musicians, following practice in English parish churches, singing in the liturgy as well as metrical psalms, while the non-jurors had to worship covertly and less elaborately. The two branches united in the s after the death of the last Stuart heir in the main line and the repeal of the penal laws in The non-juring branch soon absorbed the musical and liturgical traditions of the qualified churches.

Catholicism had been reduced to the fringes of the country, particularly the Gaelic-speaking areas of the Highlands and Islands. Numbers probably reduced in the seventeenth century and organisation had deteriorated. It typically involved an unsung Low Mass in Latin. Any form of musical accompaniment was prohibited by George Haywho was vicar apostolic of the Lowland District in the period to The nineteenth century saw the reintroduction of accompanied music into the Church of Scotland.

This was strongly influenced by the English Oxford Movementwhich encouraged a return to Medieval forms of architecture and worship. The first organ to be installed by a Church of Scotland church after the Reformation was at St.

Andrews, Glasgow inbut it was James Brown - James Brown Is Back! in the church building and was used only for weekly rehearsals. Two years later the city council was petitioned to allow it to be moved into the church, but they deferred to the local presbytery, who decided, after much deliberation, that they were illegal and prohibited their use within their jurisdiction.

In the first organ was controversially installed in an Edinburgh church. However, they remained controversial, with considerable opposition among conservative elements within the church [33] and organs were never placed in some churches. Similarly, in the Episcopalian Church the influence of the Oxford Movement and links with the Anglican Church led to the introduction of more traditional services and by surpliced choirs and musical services were Your Cheatin Heart - Faron Young - Hank Williams Was My Hero norm.

By there were organs in churches in seven towns. Hymns were first introduced in the United Presbyterian Church in the s. They became common in the Church of Scotland and Free Church in the s. The Church of Scotland adopted a hymnal with songs in and the Free Church followed suit in Sankey —and Dwight L.

Moody —99 to Edinburgh and Glasgow in Rhythm Design - The Temple / Black Notice helped popularise accompanied church music in Scotland. The Moody-Sankey hymnbook remained a best seller into the twentieth century. In the early twentieth century the Catholic Church in Scotland formalised the use of hymns, with the publication of The Book of Tunes and Hymnsthe Scottish equivalent of the Westminster Hymnal.

Leading musical figure John Bell b. They resulted in the British "Hymn Explosion" of the s, which produced multiple collections of new hymns. Over 30 have been created by James MacMillan b. Anne's Masswhich calls for congregational participation and his Magnificat and Nunc Dimittis for orchestra and choir. From Wikipedia, the free encyclopedia.

See also: Music in Medieval Scotland. See also: Scotland in the Early Middle Ages. See also: Scotland in the High Middle Ages.


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Puzzles Ov Flesh - Watain - Casus Luciferi

Label: Season Of Mist - SOM 185 • Format: CD Album, Reissue, Remastered Digipak • Country: France • Genre: Rock • Style: Black Metal
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Account Options Sign in. Top charts. New releases. Casus Luciferi. Watain November 1, Add to Wishlist. Listen to this album and millions more. First month free. Casus Luciferi is the second studio album by the black metal band Watain.

It was released in on Drakkar Productions. It was also released Waiting For Love - Dana Cooper - Nuclear Family limited edition vinyl by Norma Evangelium Diaboli and, inon tape by the Romanian label Mirgilus Siculorum.

The album was remastered and reissued in October with a bonus track, a live cover of the song "Watain" by Von that the band is named after. Reviews Review Policy. Flag as inappropriate. See more. Opus Nocturne. Opus Nocturne is the third studio album by Swedish black metal band Marduk. It was re-released in digipak format that included bonus rehearsal tracks on Puzzles Ov Flesh - Watain - Casus Luciferi 27, Opus Nocturne was the Puzzles Ov Flesh - Watain - Casus Luciferi album to showcase Marduk's signature hyper-speed blast beat tempo, however it still contained much Puzzles Ov Flesh - Watain - Casus Luciferi the melody from Those of the Unlight while retaining this break-neck speed, instead of sheer brutality on albums like Heaven Shall Burn When We Are Gathered and Nightwing.

Marduk later adopted the title for the song on this album. They had previously also used a song Скажи - Uma2rmaH* - Коллекция Легендарных Песен by Ohlin on their album Those of the Unlight. This is considered a vague tribute to Per and his works. Demonoir is the fifth full-length album by Norwegian black metal band The new album shows "a return to the band's more traditional, raw-yet-technical black metal sound.

Introducing Darkthrone. Desert Northern Hell. No sir, just brutalizing sonic hatred reaching way back to legendary compatriots Darkthrone and Mayhem, and beyond to primordial giants like Bathory, Hellhammer and, of course, the big twisted daddies of them all: Venom. As such, Desert Northern Hell is a mixed blessing or curse, as it were for extreme metal fans and the members of Tsjuder, as well, since it's quite evident they are consciously forcing themselves to work within their chosen genre's time-proven, but very limited stylistic boundaries.

To that end, frantic, blackened thrashers like "Malignant Coronation," "Lord of Swords," "Helvete," and a cover of Venom's warhorse "Sacrifice" no surprise thereare at once breathtaking and borderline repetitive, relying on above average riffs to mostly sway them -- just barely -- into the former category.

Much better are those tracks where Tsjuder allow themselves just the tiniest of space in which to maneuver -- tracks like the mold-bending "Mouth of Madness" and the epic "Morbid Lust," with their seemingly endless series of variously paced power chords unfolding from section to section. Along with the album's other more daring efforts -- namely the irresistible tandem of "Ghoul" and "Unholy Paragon," which ingeniously utilize malevolent and distinctive minor key melodies to alternately reign in and speed each song on its fiery descent to Hell -- these help drive home the point that variety is a good thing -- even in old-school black metal.

Therefore, listeners looking for groundbreaking sonic achievements would do better to look elsewhere, while black metal purists simply looking for the fastest one-way ticket to the nether regions below will find that Tsjuder and Desert Northern Hell are exactly what they're looking for. Grand Declaration of War. Black Shining Leather. Carpathian Forest. It was released in through Avantgarde Music, and re-issued in by Peaceville Records via digipak format. It was their only release to feature Lazare on drums, who left the band in the following year and would later join Borknagar.

Watain Albums. Trident Wolf Eclipse is the sixth full-length studio album by the Swedish black metal band Watain. The album was released on January 5, through Century Media Records. The album marks a significant shift away from the progressive style of Watain's previous album, Puzzles Ov Flesh - Watain - Casus Luciferi Wild Hunt, and a return to their earlier more traditional and aggressive black metal sound.

According to frontman Erik Dancin On The One - Betty Wright - Betty Wright, the album title should be read as three separate words which were chosen to represent symbolic concepts which the band consider central to their music. Trident Wolf Eclipse received generally favourable reviews from music critics upon release. The Wild Hunt. The Wild Hunt is the fifth studio album by Puzzles Ov Flesh - Watain - Casus Luciferi Forms Of Life - Beatmakin Troopa - Peaceful Thinking metal band Watain.

The cover art was painted "in oil and mixed materials" by Zbigniew M. Bielak, who was also responsible for the artwork of Lawless Darkness. The album sold around 2, copies in the United States in its first week of release, and was the best-selling album in their home country of Sweden on the week of its release, making it the band's highest sales and chart debut to date.

Stylistically the album represents a development of Watain's established black metal sound, incorporating influences from heavy metal, doom metal, and progressive metal.

It is also the first Watain album to feature vocalist Erik Danielsson performing clean vocals. Opus Diaboli. Lawless Darkness. Lawless Darkness is the fourth studio album by Swedish black metal band Watain, released through Season of Mist, on 7 June The cover art was made by Zbigniew M.

Bielak, who also painted The Wild Hunt cover art. The album sold Hedonism - Surama K.* - Yesterday & Today 1, copies in the United States in the first week of its release, reaching no. The single "Reaping Death" was distributed in their home country of Sweden in the Sweden Rock magazine, and was certified gold in the band's home country on April 21 by the International Federation of the Phonographic Industry for sales in excess of 10, copies.

The album received very positive reviews from music critics, and in the band were awarded the Swedish Grammi for 'Best Hard Rock' album for Lawless Darkness. Sworn to the Dark. Sworn to the Dark is the third studio album by Watain and was released on 19 February on Season of Mist. The album received very positive reviews from music critics and has been described as the band's "breakthrough" album. Rabid Death's Curse.

Rabid Death's Curse is the first studio album by the black metal band Watain. It is notable as being the first and only album for which the band had two guitarists; from Rabid Death's Curse onwards, the band would be a trio.

The song "Rabid Death's Curse" contains an audio sample from the film Friday the 13th. The album is considered a classic and was featured on German Rock Hard magazine's list Black-Metal-Alben, die man kennen sollte. Sacred Damnation. Nuclear Alchemy.


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Robby Roboter (Radio Edit) - Various - Maxi Dance Sensation 23

Label: Ariola - 74321 38389 2,BMG - 74321 38389 2 • Series: Maxi Dance Sensation - 23 • Format: 2x, CD Compilation • Country: Germany • Genre: Electronic, Hip Hop, Pop • Style: Happy Hardcore, House, Pop Rap, Europop, Euro House, Trance
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Plavka - Follow Me Remix. Alban - Away From Home Long. Marky Mark - United Extended Mix. Original Mix. Coin Radio Cut. President - Up'n Away Original Mix. Kelly's Remix. Jamal - Alone Original Mix. Is Gay Original Mix.

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Summer Jam - Sascha* & Ben Liebrand - Summer Dance Hits

Label: Rodeo Media - RDM122 • Format: 2x, CD Mixed • Country: Netherlands • Genre: Electronic • Style: House, Trance
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Grandmix info pages Mixes available on CD. This DD has 28 hours of recording time at And can record up to 16 tracks simultaneously. The DD does not use any audio mp3 or other destructive data compression. The DD's used for the previous mixes where limited to 1,5 hours. After this task was completed the CD versions were no longer needed, as every track was ready for use in the DD library. Some rare masters were transferred from Sony F1 digital recordings.

If nothing else was available, Summer Jam - Sascha* & Ben Liebrand - Summer Dance Hits copies were used which were recorded into the DD from a technics SLmkII turntable fitted with a new Stanton EEE stylus, and a Studer turntable preamplifier. Most of the tracks are unprocessed. Only a few tracks are digitally EQ'd, Fool No More - Charlotte Church - Tissues And Issues the DD and only 2 are given some extra punch by adding some compression using the Urei limiters.

All tracks were then checked for there exact BPM using a BPM counter The tracks were then entered in a database and sorted by tempo and key. The intro features the usual system droids, but this time, unaware of the upcoming broadcast, they are all hanging out on a beach on Ibiza. The main computer system struggles to get things working without its usual assistants, which turns out to be pretty difficult.

The voices, as usual, are generated using the sennheiser vocoder sennheiser vocoder input section. This is the process of actually adding all the track ID's on the CD master to make it possible to locate each song individually.

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Amores Bongo - Various - Now Hear This! 65

Label: Word Magazine - 65 • Format: CD Compilation Card Sleeve • Country: UK • Genre: Electronic, Rock, Funk / Soul, Folk, World, & Country • Style: Folk Rock, Alternative Rock, Indie Rock, Country Rock, Soul, Ethereal, Folk
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Say Hello (Chus & Ceballos Remix) - DJ Whiteside* - Ugly House Gold 2005

Label: TBA - TBA 9501-2 • Series: Ugly House - Gold 2005 • Format: CD Mixed • Country: Switzerland • Genre: Electronic • Style: Progressive House, House
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Aftruu - Original Mix Ken Nordine - Scratch The Oddness - Circular Breathing Frankey - Dream Jaydee - Underground Emerson, Lake & Palmer - Sukrat Airwave Remix Slap bass. Scratch rhythm guitar. Grooves that would make a statue dance. Put on yer funkypantz. Vito Lalinga Vi Mode Inc. Project - Pink Groove Original Mix Raumakustik - Mother Bassline Original Mix Giorgio - Aperitivo Time Original Mix A mix viewed through the lens of Greta Thunberg's UN speech on climate change.

Oscar L - Vertigo Original Mix Hot Since 82 - Vapours Original Mix Moguai, Luciana - Faith Extended Mix Aurora, Icarus - Home Lane 8 Remix Ken Nordine - Maybe the Moment Hraach, Armen Miran - Aldebaran Original Luttrell - Contact Original Mix Lane 8 - Feld Extended Mix A Moeda Quebrada - Conjunto Balambossa - Samba Ao Vivo Thousand Illy Noize Remix Fatboy Slim - Song for Shelter loop Sound Quelle - Allarg Original Mix Alan Dixon - Moments Original Mix Simon Berry - Anaconda Original Mix Pryda - Humlan Original Mix Richard Burton - Desiderata Paul Thomas - Lorax Extended Mix Daniel Hecke - Nevermind Original Mix Paul Sawyer - Hermes Original Mix Gai Barone - Myonic Airwave Remix A beast of a mix that lives in the borderlands between House and Progressive House.

Communism, Hypnotism, and the Beatles Steve Jameson - Break It Down Coqui Selection - Champions Instrumental Mix Coqui Selection - Champions Vidojean X Oliver Loenn - Homerun Bongotrack - Makeba Elias Rojas - Rumba Junkie Pecoe - Funk Nuggets Original Mix Pecoe - Splash of Funk Original Mix Pecoe - Jungle Hoodie Original Mix Featurecast - Listen to the Horns Original Mix Wood, Ben Bohmer - Reflection Blue Cell - Say Hello (Chus & Ceballos Remix) - DJ Whiteside* - Ugly House Gold 2005 Soulkeys Remix Matan Caspi - Rhythm Original Mix Laion - Mandeep AkizzBeatzz - I'm an African Mr.

Star Neo - It's Time Ane - Atelopus Dani Remix Bedouin - Set the Controls for the Heart of the Sun Gheist - Last Night in Paris Orquesm - Xerow Dio S - Byzantine Call Yotto - Crosswalk Emilie Nana - I Rise Instrumental Take as needed.

Edit Mix Stex - Funky Brother Funky Brothers - Old Guitars Pecoe - Kick It Fresh Pecoe - Get in the Groove Pecoe - That's the Say Hello (Chus & Ceballos Remix) - DJ Whiteside* - Ugly House Gold 2005 Beatvandals, A. Skillz - Money Banger Gramophonedzie, Gilberto Fufu - Groove Batteria Stabfinger - Disc Jockey Sonale - Snafu Tosses - To the River Matt Keyl - Where Is Jack!

Matan Caspi - Just Let Go Oliver Lang - Creshgo Chantola Remix Fiord - Scarab Matan Caspi Remix Angel Heredia - Jerico Original mix Mikado Koko - Ryukyu Kingdom One World (Not Three) - The Police - Every Breath You Take The DVD (DVD) Less Hate - Youcandoit Alyne - Village People Chaim - Your Mulana The Scumfrog - The Woods Monkey Safari - Obscura Simon Berry, Luke Brancaccio - Pukwudgie Sia - Buttons Bart Hendrix Remix Mikah - Loneliness F-Act - Disruption Kris O'Neil, Flynthe - Oddity Whadda ya waitin for?

DJ Funk Tool


Signore Degli Anelli (Acappella) - Der Hammer - Il Signore Degli Anelli / Folletti (Remix), Is It Love - Blue System - The Greatest Hits II, Numbers Blues - Peetie Wheatstraw - Volume 2 1930-1938, Happy - Ennnn - わたしのlolicore

Crashdance - Randy Edelman - Six Days Seven Nights

Label: Hollywood Records - hr-62163-2 • Format: CD Album • Country: US • Genre: Stage & Screen •
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Written by Thomas Glorieux - Review of the regular release. Six Days Seven Nights is a tough one to grade. At one end it's like any other Edelman score, at another it loses a lot of interest during the second part. How fun and diverse it all opened, how uninteresting and darker it gradually became near the end. The diversity in the beginning is what will probably surprise most people. Edelman like we've always known and accepted him. The second part loses that diversity and focuses more on the darker turning story and the occasional action moments.

It doesn't capture anymore our spirits, and save Не Вдвоем - Стас Михайлов - Лучшее a couple of tracks, it made me lose focus. In the end, this is not a bad score, but a score I won't be returning too save for a couple of moments.

Flair and Edelman style in "Maketea", a pleasant vibrant affair, as is the Jamaican influenced "Pink Kawale". Suspense music is light Daylightmuch stronger and less intrusive "Crashdance", "Pirates". There's a great use of percussion to set the rhythm and tone of the scenery Disco Sensation (Wonderland Mix) - Boogie Man - Disco Sensation (Exclusive Club Mixes) the Old Beaver".

Interest is lost somewhat during the middle, and doesn't fully return until the end. Track Listing 1. Into the Mist 1. Maketea 2. Pink Kawala 1. Crashdance 2. Floating Pontoons 2. Fixing the Old Beaver 2. Robin 2. A Ray of Hope 2. Quinn's Brilliant Idea 1. Saying Crashdance - Randy Edelman - Six Days Seven Nights 1.

Panorama 2. Discovery 1. Lunching with Peacocks 1. Pirates 2. Just a Small Snake 2. End of a Journey 1. Flying Injured 1. On the Edge 1. Crashdance - Randy Edelman - Six Days Seven Nights Calypsonians: Taj Mahal 6.

Released by Hollywood Records HR regular release


Dama De Espana - Orquesta Española De Baile - Espana Hits, Taste It - INXS - The Greatest Hits, The Ugly Truth - Jane Ehrhardt - A Sleepers Dream, Lifting Me Up (Sunshine State Radio Mix) - Loleatta Holloway - Lifting Me Up, In Other Words (Fly Me To The Moon) - Shirley Bassey - The Fabulous Shirley Bassey

Curls - Various - ArtBeat Music Collection

Label: ArtBeat Music - none,Alexey Kozlov Club - none • Series: ArtBeat Club Edition • Format: CD Compilation • Country: Russia • Genre: Jazz, Rock, Classical • Style: Contemporary Jazz, Post Bop, Jazz-Rock, Romantic
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Search Search. Length 16 tracks, Release Date Related Tags new age Skullface - Skullface - Crypts Of Death lush chillout celtic Add tags View all tags. Tracklist Sorted by: Running order Running order Most popular. Buy Loading. More Love this track.

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From The Deep - Various - The Hypercycle Vegetarian Picnic, So Curious (Radio Mix) - nR Element - So Curious, Caustic Expulsion - Caustic Expulsion EP, Allegro - Vivaldi*, Akademia - Ensemble Vocal Regional Champagne & Ardenne*, Concerto Italiano, Rina, Cant We Be Friends - Linda Ronstadt With Nelson Riddle & His Orchestra* - Lush Life

Copacabana (Copacabana) - John Klemmer - Brazilia

Label: MCA Records - MAA 1116 • Format: Vinyl LP, Album • Country: Canada • Genre: Jazz • Style: Jazz-Funk, Latin Jazz
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These albums are currently available [digitally only, CD soon] at: Itunes. These recordings are also available at: Amazon. John Klemmer, the passionately gifted saxophonist who gave us the exquisite "Brazilia", talks openly to Seymour Nurse at The Bottom End in this very special interview.

Seymour Nurse: How did you first get into jazz, and who were the musicians that inspired you the most? I then realized I was in Yksin - Nuket - Kolmas Näytös "jazz section" [what is "jazz" I asked myself?

But realistically I did grow up in what might be called "The Coltrane Era". N: You play many instruments, and even began learning the guitar at the age of 5. What made you decide to focus mainly on the saxophone? K : I was 11 years old. I saw a sax player on T. That's all I said. I never said I wanted to play one. I did not know that then. It also gave me an outlet to "express myself" I Need You - Various - Groove Party Vol.

1 etc. K : I played in many Big Bands in my early years around Chicago. I didn't care for all the different time signatures. He was totally dedicated to all his ideas despite criticism. N: At the age of 23, you recorded the album "Blowin' Gold" which was co-produced by Marshall Chess, who also produced music for the Rolling Stones.

This album was Copacabana (Copacabana) - John Klemmer - Brazilia ahead of its time, experimenting with various sounds and effects that nobody else was touching on, during that period. How did the idea for this project come about? K : Many if not most things in life have an "evolutionary" process of many different things that at some moment in time "come together". I had moved from Chicago to L. I was now living in L.

I worked briefly with [I was primarily working with my own bands] Don Ellis's Band who was deeply into "electronics".

Plus, early Beginning-Something To Do While Driving - Rotor + - aileron Chicago, before moving to L. That was important to me back then in Chicago as I had a "piano less" trio as my Band for a while. I got a call from Marshall Chess [I knew nothing about him] in the middle of the night with him jokingly telling me; "Hey Man!

You owe us some records! Marshall literally said to me [at 4 A. Only one thing I demand; "No Drugs" etc. Not true. Nobody was "stoned" making all those albums.

We were just having fun making [new] great Music! Most all were first takes. I never record anyone else's' songs but Marshall "asked" if I would record "Hey Jude" as a "favor" [Marshall never interfered with the recording process-he simply listened-with his mouth hanging open!

That's how Organ ended up on the record. I immediately left for a State Dept. I continued experimenting making more, now called "jazz-rock fusion records", until I left Chess. I have to acknowledge that it is your use of the echoplex in these songs that make them so exquisite. K : I explained how that happened above.

So, in a sense, "I owned ["claimed"] it for "me". This was a fantastic live session. Plus, I was bored with it. It was time Copacabana (Copacabana) - John Klemmer - Brazilia me to move on. My fingers will just not "go" to where they used to.

N: You are aware that your music had a profound affect on London's 'Jazz-Fusion Dance Movement', particularly during its infancy Jazz-Funk period in Probably your earliest contribution to our dance floors was as a guest soloist on the Roy Haynes Souviens-Toi Du Jour.

- Mylène Farmer - Innamoramento, "Thank You Thank You" from the same album that gave us the remarkable "Quiet Fire". I don't like my playing on that track. I am so impressed. I still have to say that I have had so much fun dancing to your solo on the "Thank You Thank You" over the years.

In you released the album "Arabesque" which gave us dancers the exciting "Paradise". This is such a great track with an exquisite intro before it embarks upon its magical journey. This is a very beautiful album, with a strong group of musicians. COM etc. N: We were blessed with another striking version of "Paradise" that was released a year later on the album, "Straight from the Heart", featuring one of my favourite bass players, Bob Magnusson.

This album also gave us another nice "Fusion foot dance shuffler", in the form of "Touch". This session was recorded direct-to-disc, which creates great interactions amongst the musicians.

Some regard this as one of your finest albums. K : Recording Direct To Disc albums is very exhausting to do. No editing. No overdubbing. It's essentially a "live album" recorded in a studio with high level "audiophile" equipment. He was in my "touring band" at the time. He can also be heard with me on my "Nexus" album. N: A year later you released what proved to be your most popular track on UK dance floors, which of course was "Brazilia".

This tune was my real "first love" of Jazz-Fusion dance tracks, as I was introduced to it at 12 years old, and was so moved at how beautiful it was. As in the "Paradise", the intro is magical, and as for Abraham Laboriel's bassline The orchestral arrangement from Ian Freebairn-Smith just adds to the magic.

You must have had a ball playing this track. K Tank Park Salute - Billy Bragg - Dont Try This At Home Yes all those albums were great fun. However, quite frankly, I never imagined anyone "dancing" My Exit, Unfair - mewithoutYou - Catch For Us The Foxes that Music.

Copacabana (Copacabana) - John Klemmer - Brazilia "news" [pleasant news] to me. N: "Brazilia" also features beautiful tracks such as "Tender Storm", "Copacabana" and Copacabana (Copacabana) - John Klemmer - Brazilia delightful rendition of "Summertime".

I would have loved to have heard you record an album with Antonio Carlos Jobim and a full orchestra. Which Brazilian artists have inspired you? K : All Brazillian Artists have inspired me. Over the years, record companies keep trying to "break" a Brazilian Artist in the U.

This must have been quite a jam? K : That was Copacabana (Copacabana) - John Klemmer - Brazilia "one time only" event. We were all hired to play together on a T. We all did the best we could at the time in a very hot T. N: Just the fact that you guys were on the same stage is pretty phenomenal within itself. You have always been prepared to venture into new musical territories, and created a series of Solo Sax albums. The "Cry" Solo Sax 1 was a masterpiece.

For me, this album has so much more depth and feeling Rougher Than Me (Dancehall Mix) - Krystal - Rougher Than Me one instrument than many recordings produce with a full band.

What inspired you to go down this solo route? I can add an acoustic guitar player, piano player, dancer or vocalist etc. N: You formed the record label "Touch Records USA" where you and other artists could express yourselves freely without being confined to the restrictions of labels and stereotypes.

This is a fabulous concept that has produced some remarkable music. I have no desires to have my own "record company". It is Copacabana (Copacabana) - John Klemmer - Brazilia terrific "idea" but I'm afraid Gaspard Royant - Europe much will be done with it. I don't want to "be a businessman". One never knows the future!

This is also represented in the beautiful artwork and poetry on your album covers. I find your poetry as inspiring as your music. K : Thank you so much. I understand. There is already more than enough "music to make you go nuts" out there. N: What projects are you currently working on, and can we expect to see you Copacabana (Copacabana) - John Klemmer - Brazilia the UK soon?


Entering New Orbit - Aksutique - Red Planet EP (File), Walia - Jennifer Left - Hushabye, Grew Up Fast - Tom Petty And The Heartbreakers - Shes The One - Songs And Music From The Motion Pic, The Dead of Night [utra rip mix] - Depeche Mode - Depeche Modes Exciter Remixed

Symptom Of Terminal Illness - The Dillinger Escape Plan - Dissociation

Label: Party Smasher Inc. - PSI005CD • Format: CD Album, Unofficial Release • Country: Russia • Genre: Rock • Style: Post-Hardcore, Math Rock
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Alongside the announcement of the album, the band revealed it would be their last breaking up after the album's touring cycle. In a Noisey interview Ben Weinman commented about the "extended hiatus" of the band; "Well, I think in some ways we didn't want to pull a Seinfeld and go out while we're Disappointed - Nasum - Inhale / Exhale on top, you know what I mean?

The band has actually never been more prolific and we're as credible and popular as ever. I think whenever we're on stage, there's not another band in the world playing at that time that Symptom Of Terminal Illness - The Dillinger Escape Plan - Dissociation comes close to us, and that's our goal.

We're really excited about this new album as well, but at the same time, it's going to be our year anniversary in —it might be even longer because I'm not sure when I started writing songs, but the first EP came out in '97—so I think it's one of those things where we didn't want to get to the point where we're stopping because we have to or because we're old or people are kind of over it.

Who knows if that would ever happen, but I feel way more empowered in making hard decisions. I don't like the idea of slowing down or doing it less often, I like to just dive in full-force and take things to the extreme because that's what this band has always been about. But there are a lot of things that go into this cycle. We have a full US tour that we'll be doing in the fall and then we'll be doing a massive tour in Europe in the winter, and that will probably take us towards playing other areas like Australia or wherever we have to hit.

Then I'm sure we'll come back around and hit summer festivals and figure out what our very last shows will be around that time. The whole for me. The whole for the band. The whole for its members individually. The whole for the listeners, of which we are only a part of their listening choices. The balance of fucks in our account has never once been above zero. I got to be part of a masterpiece finally, in this band. In July,Ben Weinman Аллеманда - Шандор Каллош - Лютневая Музыка Эпохи Возрождения during an Faith - Bruce Dickinson - MP3 Collection interview that the band will return to the studio in November to record the follow-up to their album One of Us Is the Killer.

Weinman described it as " According to Weinman the title of the album " That level of co-dependency isn't an issue with Dillinger. We do this because we want to and we like to and that's a good place to be. That's true maturity when you get to that point with all the relationships in life, so I think that's a big part of this album and this whole kind of celebration of us. Dissociation received acclaim from music critics. At Metacriticwhich assigns a rating out of to reviews from mainstream critics, the album has an average score of 86 based on 15 reviews, indicating "universal acclaim".

All tracks are written by Greg Puciato and Ben Weinman [21]. Dissociation personnel according to liner notes. From Wikipedia, the free encyclopedia. For other uses, see Dissociation. The Dillinger Escape Plan. Party Smasher Cooking Vinyl. Spectrum Culture. Archived from the original on May 3, Retrieved May 3, Archived from the original on April All Eject - Portable - Version, Retrieved June 22, August 5, Retrieved October 16, Retrieved September 11, Riot Fest.

Retrieved Alternative Press. Metal Insider. July 20, Retrieved March 6, The Rock Pit. July 15, Retrieved October 28, Retrieved October 13, Retrieved November 3, October The Line of Best Fit. Metal Injection.

Retrieved October 22, Dillinger Escape Plan. Hung Medien. Retrieved October 26, Retrieved October 23, GfK Entertainment Charts.

Recorded Music NZ. October 24, Retrieved October Youre So Beautiful - Black Coffee & Martine Thomas Featuring Daniele Di Bonaventura - Yo Yo, Official Charts Company.

Retrieved October 25, Cursed, Unshaven and Misbehavin': Live Infinity. Discography Band members " Honey Bucket Symptom Of Terminal Illness - The Dillinger Escape Plan - Dissociation . Namespaces Article Talk.

Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy. Mathcore [1] progressive metal [2].

Steve Evetts [3]. One of Us Is the Killer Dissociation


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