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Eleanor Rigby - George Martin - George Martin Instrumentally Salutes The Beatle Girls


1966
Label: United Artists Records - ULP 1157 • Format: Vinyl LP, Album, Mono • Country: UK • Genre: Jazz • Style: Easy Listening
Download Eleanor Rigby - George Martin - George Martin Instrumentally Salutes The Beatle Girls

He was referred to as the " Fifth Beatle " in reference to his extensive involvement on each Eleanor Rigby - George Martin - George Martin Instrumentally Salutes The Beatle Girls the Beatles ' original albums. Martin's career spanned more than six decades of work in music, film, television and live performance. Before working with the Beatles and other pop musicians, he produced comedy and novelty records in the early s, working with Peter SellersSpike Milligan and Bernard Cribbinsamong others.

In his career he produced 30 number-one hit singles in the United Kingdom and 23 number-one hits in the United States. He also held a number of senior executive roles at media companies and contributed to a wide range of charitable causes, including his work for The Prince's Trust and the Caribbean island of Montserrat. In recognition of his services to the music industry and Eleanor Rigby - George Martin - George Martin Instrumentally Salutes The Beatle Girls culture, he was made a Knight Bachelor in Martin was born January 3,[3] in Highbury, London.

When Martin was six, his family acquired a piano that sparked Eleanor Rigby - George Martin - George Martin Instrumentally Salutes The Beatle Girls interest in music. As a child, he attended several schools, including a "convent school in Holloway", St Joseph's School Highgateand at St Ignatius' College Stamford Hillwhere he had won a scholarship. I remember well the very first time I heard a symphony orchestra.

It was absolutely magical. Hearing such glorious sounds I found it difficult to connect them with ninety men and women blowing into brass and wooden instruments or scraping away at strings with horsehair bows. Despite Martin's continued interest in music, and "fantasies about being the next Rachmaninov ", he did not initially choose music as a career.

Inwhen he was 17, he joined the Fleet Air Arm of the Royal Navy and became an aerial observer and a commissioned officer. The war ended before Martin was involved in any combat, and he left the service in Although having been regarded by EMI as a vital German imprint in the past, it was then not taken seriously and only used for EMI's insignificant acts.

Martin also produced numerous comedy and novelty records. His first hit for Parlophone was the "Mock Mozart" single by Peter Ustinov with Antony Hopkins — a record reluctantly released in by EMI, only after Preuss insisted they give his young assistant, Martin, a chance.

The River Wye is a river that runs through England and Wales. As Martin wanted to add rock and roll to Parlophone's repertoire, he struggled to find a "fireproof" hit-making pop artist or group.

Martin's work transformed the profile of Parlophone from a "sad little company" to a very profitable business. He thought Martin might be interested in the group, even though they had been turned down by Decca Records.

Until that time, although he had had considerable success with the comedy records, and a number 1 hit with the Temperance SevenMartin had only minor success with pop music, such as "Who Could Be Bluer" by Jerry Lordanand singles with Shane Fenton and Matt Monro. After the telephone call by Coleman, Martin arranged a meeting on 13 February with Brian Epstein. After another meeting with Epstein on 9 May at the Abbey Road studiosMartin was impressed by Epstein's enthusiasm and agreed to sign the unknown Beatles to a recording contract, without having met them or seen them Eleanor Rigby - George Martin - George Martin Instrumentally Salutes The Beatle Girls live.

The verdict was not promising, however, Death - The Living End - Shift Richards complained about Pete Best 's drumming, and Martin thought their original songs were simply not good enough.

The Beatles' second recording session with Martin was on 4 Septemberwhen they recorded " How Do You Do It ", heavily modified by The Beatles which Martin thought was a sure-fire hit, even though Lennon and McCartney did not want to release it, not being one of their own compositions or style.

Ringo Starr was asked to play tambourine and maracas, and although he complied, he was definitely "not pleased". Due to an EMI library error, a 4 September version with Starr playing drums was issued on the British single release; afterwards, the tape was destroyed, and the 11 September recording with Andy White on drums was used for all Eleanor Rigby - George Martin - George Martin Instrumentally Salutes The Beatle Girls releases.

Martin's crucial contribution to the song was to tell them to speed up what was initially a slow ballad. After the recording Martin looked over the mixing desk and said, "Gentlemen, you have just made your first number one record".

Martin's more formal musical expertise helped fill the gaps between the Beatles' unrefined talent and the sound which distinguished them from other groups, which eventually made them successful. Most of the Beatles' orchestral arrangements and instrumentation were written or performed by Martin, as well as frequent keyboard parts on the early records, in collaboration with the less musically experienced band. McCartney hummed the melody that he wanted, and Martin notated it for David Masonthe classically trained trumpeter.

Martin's work as an arranger was used for many Beatles recordings. For " Eleanor Rigby ," he scored and conducted a strings-only accompaniment inspired by Bernard Herrmann. On a Canadian speaking tour inMartin said that his "Eleanor Rigby" score was influenced by Herrmann's score for the Alfred Hitchcock thriller Psycho. Martin contributed integral parts to other songs, including the piano in " Lovely Rita ", [51] the harpsichord in songs such as " Because " and " Fixing a Hole "; the Lulu James - Step By Step steam organ and tape loop arrangement that created the Pablo Fanque circus atmosphere that Lennon requested on " Being for the Benefit of Mr.

Martin was reportedly hurt by this, but still produced the Guardian - Code 64 - Departure and conducted the orchestra himself. Paul McCartney once commended Martin by saying: "George Martin [was] quite experimental for who he was, a grown-up.

Beginning in the late s, Martin began to supplement his producer income by publishing music and having his artists record it. Martin composed, arranged, and produced film scores since the early s, including the instrumental scores of the films A Hard Day's Nightfor which he won an Academy Award NominationFerry Cross the MerseyYellow Submarineand Live and Let Die Martin was also commissioned to write an official opening theme for BBC Radio 1 's launch in September Entitled " Theme One ", it was the first music heard on Radio 1 not The Move 's " Flowers in the Rain ", which was the first record played in full on the station.

The album of new recordings collected a selection of Martin's compositions together for the first time, including previously unheard pieces Belle Etoile and sketches from the feature film The Mission which were not used in the original soundtrack. He explained this by saying that the old console created a completely different sound, which a new console could not accurately reproduce. Martin stepped down when it came to producing the two new singles reuniting McCartney, Harrison, and Starr, who wanted to overdub two old Lennon demos.

Martin's contribution to the Beatles' work received regular critical acclaim, and led to him being described as the "Fifth Beatle. In the Wär Es Auch Nichts Als Ein Traum Vom Glück - Friedl Loor, Hans Strohbauer, Orchester Der Wiener Staa aftermath of the Beatles' break-up, a time when he made many angry utterances, John Lennon trivialised Martin's importance to the Beatles' music.

In his interview with Jann WennerLennon said, "[ Dick James ] is another one of those people, who think they made us. They didn't. I'd like to hear Dick James' music and I'd like to hear George Martin's music, please, just play me some. It's not a putdown, it's the truth. Commenting specifically on " Revolution 9 ", Lennon said, "For Martin to state that he was 'painting a sound picture' is pure hallucination. Ask any of the other people involved.

The final editing Yoko and I did alone. Lennon later retracted many of the comments he made in that era, attributing them to his anger. He subsequently spoke with great affection and fondness for Martin. He helped us develop a language to talk to other musicians. According to Alan Parsonshe had "great ears" and "rightfully earned the title of "Fifth Beatle". Also working with Gary Glitter before his chart success, Martin recorded several songs with him in the early s, with the singer using the pseudonym of "Paul Raven".

Winter said that Martin taught him "how to use the studio as a tool", and allowed him to record the album in a relaxed atmosphere, which was different from the pressurised control in a professional studio. The play opened on Broadway inwith the original cast album being released that summer.

He also produced " Candle in the Wind ", Elton's tribute single to the late Diana, Princess of Waleswhich topped charts around the world in September Within the recording industry, Martin was known for having become independent at a time when many producers were still Eleanor Rigby - George Martin - George Martin Instrumentally Salutes The Beatle Girls.

Bythe Beatles' success had given Martin the leverage to start Associated Independent Recording AIRwhich enabled him to hire out his services to other artists. Martin also directly and indirectly contributed to the main themes of three films in the James Bond series.

Although Martin did not produce the theme for the second Bond film, From Russia with Lovehe was responsible for the signing of Matt Monro to EMI, just months prior to his recording of the song of the same title. Martin also produced two of the best-known James Bond themes. The first was " Goldfinger " by Shirley Bassey in He also composed and produced the film's score. InMartin released Produced by George Martin : 50 Years in Recordinga six-CD retrospective of his entire studio career, and inMartin launched Playbackhis limited-edition illustrated autobiography, published by Genesis Publications.

In —98, Martin hosted a three-part BBC co-produced documentary series titled "The Rhythm of Life", in which he discussed various aspects of musical composition with professional musicians and singers, among them Brian WilsonBilly Joeland Celine Dion.

The series aired on the Ovation television network in the United States. It combines rare archive footage and new interviews with, among others, Paul McCartneyRingo StarrJeff BeckCilla Blackand Giles Martinand tells the life story of how George Martin, a schoolboy growing up in the Depression, grew up to become a legendary music producer. Produced in association with Sir George Martin, Soundbreaking: Stories from the Cutting Edge of Recorded Music charts a century's worth of music innovation and experimentation, and offers a behind-the-scenes look at recorded music.

Soundbreaking features more than original interviews with some of the most celebrated recording artists, producers, and music industry pioneers of all time. Price Of Love - Brad - Best Friends? became George Martin's last, and one of his most personal, projects when he died six days before its premiere.

Martin died in his sleep on the night of 8 March at his home in WiltshireEngland, at the age of Martin was one of a handful of producers to have number one records in three or more consecutive decades s, s, s, and s. Others in this group include Phil Spector s, s and sQuincy Gone With The Sunset - Damu The Fudgemunk - How It Should Sound Volume 1 & 2 s, s and sMichael Omartian s, s and sand Jimmy Jam and Terry Lewis s, s, and s.

Records produced by Martin have achieved 30 number one singles and 16 number one albums in the UK — plus 23 number one singles and 19 number one albums in North America most of which were by The Beatles. From Wikipedia, the free encyclopedia. Redirected from The George Martin Orchestra.

English record producer, arranger, composer, conductor, audio engineer and musician. For other people named George Martin, see George Martin disambiguation. Rock pop classical. Record producer arranger composer conductor audio engineer musician.

Oboe keyboards. EMI Parlophone Apple. Main article: The Beatles discography. Main article: Paul McCartney discography. The Daily Telegraph. Retrieved The Joyce Gang - Deadheads Dont Dance March The Guardian. Retrieved 21 April United Press International. Eleanor Rigby - George Martin - George Martin Instrumentally Salutes The Beatle Girls from the original on 3 January Retrieved 3 September


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10 thoughts on “ Eleanor Rigby - George Martin - George Martin Instrumentally Salutes The Beatle Girls

  1. George Martin - She Said She Said () / I'm Only Slepping () George Martin - Anna (Go To Him) () / Michelle () George Martin - Got To Get You Into My Life () /.
  2. Find album reviews, stream songs, credits and award information for George Martin Instrumentally Salutes the Beatle Girls - George Martin & His Orchestra on AllMusic - /5.
  3. George Martin Instrumentally Salutes the Beatle Girls George Martin Sir George Henry Martin CBE (born 3 January ) is an English record producer, arranger, composer, conductor, audio engineer and .
  4. Sir George Martin CBE (3 January – 8 March ) was an English record producer, arranger, composer, conductor, audio engineer and musician. He was The Beatles' trusted.
  5. View credits, reviews, tracks and shop for the Vinyl release of George Martin Instrumentally Salutes The Beatle Girls on Discogs.
  6. Nov 02,  · George Martin - George Martin Instrumentally Salutes The Beatle Girls - muborzulkishurazolozuru.infoinfo Music George Martin Instrumentally Salutes The Beatle Girls Eleanor Rigby 3. She Said She Said 4. I'm Only Sleeping 5. Anna 6. Michelle 7. Got To Let You Into My Life5/5(2).
  7. George Martin Instrumentally Salutes The Beatle Girls George Martin. George Martin Instrumentally Salutes The Beatle Girls Tracklist. 9. “George Martin Instrumentally Salutes The Beatle.
  8. George Martin Instrumentally Salutes The Beatle Girls is a album by George Martin & His Orchestra. It is the third of a series of albums by Martin featuring instrumental arrangements of Beatle songs. The album was issued on CD by One Way RecordsGenre: Easy listening.
  9. Sir George Henry Martin, CBE (3 January – 8 March ) was an English record producer, arranger, composer, conductor, audio engineer, and musician. He was referred to as the "Fifth Beatle" in reference to his extensive involvement on each of the Beatles' original muborzulkishurazolozuru.infoinfo McCartney said upon Martin's death, "If anyone earned the title of the fifth Beatle, it was George".Born: 3 January , Highbury, London, England.

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