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Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Music



Label: Consort Press - CMM1997 • Format: CD Album • Country: US • Genre: Non-Music, Folk, World, & Country • Style: Religious
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Sacred music, in those aspects which concern the liturgical renewal, was carefully considered by the Second Vatican Ecumenical Council. It explained its role in divine services, issued a number of principles and laws on this subject in the Constitution on the Liturgyand devoted to it an entire chapter of the same Constitution. The decisions Broken Glass And Lime Juice - Deke Leonard - Kamikaze the Council have already begun to be put into effect in the recently undertaken liturgical renewal.

But the new norms concerning the arrangement of the sacred rites and the active participation of the faithful have given rise to several problems regarding sacred music and its ministerial role. These problems appear to be able to be solved by expounding more fully certain relevant principles of the Constitution on the Liturgy.

Therefore the Consilium set up to implement the Constitution on the Liturgyon the instructions of the Holy Father, has carefully considered these questions and prepared the present Instruction. This does not, however, gather together all the legislation on sacred music; it only establishes the principal norms which seem to be more necessary for our own day.

It is, as it were, a continuation and complement of the preceding Instruction of this Sacred Congregation, prepared by this same Consilium on 26 Septemberfor the correct implementation of the Liturgy Constitution. It is to be hoped that pastors of souls, musicians and the faithful will gladly accept these norms and put them into practice, uniting their efforts to attain the true purpose of sacred music, "which is the glory of God and the sanctification of the faithful.

Liturgical worship is given a more noble form when it is celebrated in song, with the ministers of each degree fulfilling their ministry and the people participating in it.

Indeed, through this form, prayer is expressed in a more attractive way, the mystery of the liturgy, with its hierarchical and community nature, is more openly shown, the unity of hearts is more profoundly achieved by the union of voices, minds are more easily raised to heavenly things by the beauty of the sacred rites, and the whole celebration more clearly prefigures that heavenly liturgy which is enacted in the holy city of Jerusalem.

They will try to work out how that assignment of different parts to be performed and duties to be fulfilled, which characterizes sung celebrations, may be transferred even to celebrations which are not sung, but at which the people are present.

Above all one must take particular care that the necessary ministers are obtained and that these are suitable, and that the active participation of the people is encouraged. The practical preparation for each liturgical celebration should be done in a spirit of cooperation by all parties concerned, under the guidance of the rector of the church, whether it be in ritual, pastoral or musical maters.

The proper arrangement of a liturgical celebration requires the due assignment and performance of certain functions, by which "each person, minister or layman, should carry out all and only those parts which pertain to his office by the nature of the rite and the norms of the liturgy.

To attain this, those parts especially should be sung which by their very nature require to be sung, using the kind and form of music which is proper to their character. Between the solemn, fuller form of liturgical celebration, in which everything that demands singing is in fact sung, and the simplest form, in which singing is not used, there can be various degrees according to the greater or lesser place allotted to singing. However, Newfoundland Rag - Adrian Beaumont - Take It Or Leave It selecting the parts which are to be sung, one should start with those that are by their nature of greater importance, and especially those which are to be sung by the priest or by the ministers, with the people replying, or those which are to be sung by the priest and people together.

The other parts may be gradually added according as they are proper to the people alone or to the choir alone. Whenever, for a liturgical service which is to be celebrated in sung form, one can make a choice between various people, it is desirable that those who are known to be more proficient in singing be given preference; this is especially the case in more solemn liturgical celebrations and in those which either require more difficult singing, or are transmitted by radio or television.

If, however, a choice of this kind cannot be made, and the priest or minister does not possess a voice suitable for the proper execution of the singing, he can render without singing one or more of the more difficult parts which concern him, reciting them in a loud and distinct voice. However, this must not be done merely for the convenience of the priest or minister. In selecting the kind of sacred music to be used, whether it be for the choir or for the people, the capacities of those who are to sing the music must be taken into account.

No kind of sacred music is prohibited from liturgical actions by the Church as long as it corresponds to the spirit of the liturgical celebration itself and the nature of its individual parts,[7] and does not hinder the active participation of the people. In order that the faithful may actively participate more willingly and with greater benefit, it is fitting that Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Music format of the celebration and the degree of participation in it should be varied as much as possible, according to the solemnity of the day and the nature of the congregation present.

It should be borne Paracosm - Various - Contact Compilation 4 (All Media, MP3, MP3) mind that the true solemnity of liturgical worship depends less on a more ornate form of singing and a more magnificent ceremonial than on its worthy and religious celebration, which takes into account the integrity of the liturgical celebration itself, and the performance of each of its parts according to their own particular nature.

To have a more ornate form of singing and a more magnificent ceremonial is at times desirable when there are the resources available to carry them out properly; on the other hand it would be contrary to the true solemnity of the liturgy if this were to lead to a part of the action being omitted, changed, or improperly performed. It is for the Holy See alone to determine the more important general principles which are, as it were, the basis of sacred music, according to the norms handed down, but especially according to the Constitution on the Liturgy.

Direction in this matter, within the limits laid down, also belongs to the competent territorial Episcopal Conferences of various kinds, which have been legitimately constituted, and to the individual bishop.

Liturgical services are celebrations of the Church, that is, of the holy people, united under and directed by the bishop or priest. The priest, acting in the person of Christ, presides over the gathered assembly. Since the prayers which are said or sung by him aloud are proclaimed in the name of the entire holy people and of all present,[12] they should be devoutly listened to by all.

The faithful fulfil their liturgical role by making that full, conscious and active participation which is demanded by the nature of the liturgy itself and which is, by reason of baptism, the right and duty of the Christian people.

The faithful should also be taught to unite themselves interiorly to what the ministers or choir sing, so that by listening to them they may raise their minds to God. One cannot find anything more religious and more joyful in sacred celebrations than a whole congregation expressing its faith and devotion in song. Therefore the active participation of the whole people, which is shown in singing, is to be carefully promoted as follows:.

But the usage of entrusting to the choir alone the entire singing of the whole Proper and of the whole Ordinary, to the complete exclusion of the people's participation in the singing, is to be deprecated. At the proper times, all should observe a reverent silence. Among the faithful, special attention must be given to the instruction in sacred singing of members of lay religious societies, so that they may support and promote the participation of the people more effectively.

Because of the liturgical ministry it performs, the choir—or the Capella musica, or schola cantorum—deserves particular mention. Its role has become something of yet greater importance and weight by reason of the norms of the Council concerning the liturgical renewal. Its duty Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Musicin effect, to ensure the proper performance of the parts which belong to it, according to the different kinds of music sung, and to encourage the active participation of the faithful in the singing.

Large choirs Capellae musicae existing in basilicas, cathedrals, monasteries and other major churches, which have in the course of centuries earned for themselves high renown by preserving and developing a musical heritage of inestimable value, should be retained for sacred Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Music of a more elaborate kind, according to their own traditional norms, recognized and approved by the Ordinary.

However, the directors of these choirs and the rectors of the churches should take care that the people always associate themselves with the singing by performing at least the easier sections of those parts which belong to them. Provision should be made for at least one or two properly trained singers, especially where there is no possibility of setting up even a small choir.

The singer will present some simpler musical settings, with the people taking part, and can lead and support the faithful as far as is needed. The presence of such a singer is desirable even in churches which have a choir, for those celebrations in which the choir cannot take part but which may fittingly be performed with some solemnity and therefore with singing. The choir can consist, according to the customs of each country and other circumstances, of either men and boys, or men and boys only, or men Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Music women, or even, where there is a genuine case for it, of women only.

Whenever the choir also includes women, it should be placed outside the sanctuary presbyterium. Besides musical formation, suitable liturgical and spiritual formation must also be given to the members of the choir, in such a way that the proper performance of their liturgical role will not only enhance the beauty of the celebration and be an excellent example for the faithful, but will bring spiritual benefit to the choir-members themselves.

In order that this technical and spiritual formation may more easily be obtained, the diocesan, national and international associations of sacred music should offer their services, especially those that have been approved and several times commended by the Holy See. The priest, the sacred ministers and the servers, the reader and those in the choir, and also the commentator, should perform the parts assigned to them in a way which is comprehensible to the people, in order that the responses of the people, when the rite requires it, may be made easy and spontaneous.

Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Music is desirable that the priest, and Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Music ministers of every degree, should join their voices to the voice of the whole faithful in those parts which concern the people.

For the celebration of the Eucharist with the people, especially on Sundays and feast days, a form of sung Mass Missa in cantu is to be preferred as much as possible, even several times on the same day. The distinction between solemn, sung and read Mass, sanctioned by the Instruction of n. However, for the sung Mass Missa cantatadifferent degrees of participation are put forward here for reasons of pastoral usefulness, so that it may become easier to make the celebration of Mass more beautiful by singing, according to the capabilities of each congregation.

These degrees are so arranged that the first may be I Was Married - Various - Philadelphia Sound Special Discotheques Volume 2 even by itself, but the second and third, wholly or partially, may never be used without the first.

In this way the faithful will be continually led towards an ever greater participation in the singing. The custom legitimately in use in certain places and widely confirmed by indults, of substituting other songs for the songs given in the Graduale for the Entrance, Offertory and Communion, can be retained according to the judgment of the competent territorial authority, as long as songs of this sort are in keeping with the parts of the Mass, with the feast or with the liturgical season.

It is for the same territorial authority to approve the texts of these songs. It is desirable that the assembly of the faithful should participate in the songs of the Proper as much as possible, especially through simple responses and other suitable settings. The song after the lessons, be it in the form of gradual or responsorial psalm, has a special importance among the songs of the Proper. By its very nature, it forms part of the Liturgy, of the Word. It should be performed with all seated and listening to it—and, what is more, participating in it as far as possible.

The songs which are called the "Ordinary of the Mass," if they are sung by musical settings written for several voices may be performed by the choir according to the customary norms, either a capella, or with instrumental accompaniment, as long as the people are not completely excluded from taking part in the singing.

In other cases, the parts of the Ordinary of the Mass can be divided between the choir and the people or even between two sections of the people themselves: one can alternate by verses, or one can follow other suitable divisions which divide the text into larger sections. In these cases, the following points are to be noted: it is preferable that the Creed, since it is a formula of profession of faith, should Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Music sung by all, or in such a way as to permit a fitting participation by the faithful; it is preferable that the Sanctus, as the concluding acclamation of the Preface, should normally be sung by the whole congregation together with the priest; the Agnus Dei may be repeated as often as necessary, especially in concelebrations, where it accompanies the Fraction; it is desirable that the people should participate in this song, as least by the final invocation.

If it is sung in Latin, the melodies already legitimately existing should be used; if, however, it is sung in the vernacular, the settings are to be approved by the competent territorial authority.

There is no reason why some of the Proper or Ordinary should not be sung in said Masses. Moreover, some other song can also, on occasions, be sung at the beginning, The Drowning - Christian Death - Catastrophe Ballet the Offertory, at the Communion and at the end of Mass.

It is not sufficient, however, that these songs be merely "Eucharistic"—they must be in keeping with the parts of the Mass, with the feast, or with the liturgical season. The sung celebration of the Divine Distance - Andrew Jackson Jihad - Knife Man is the form which best accords with the nature of this prayer.

It expresses its solemnity in a fuller way and expresses a deeper union of hearts in performing the praises of God. That is why, in accordance with the wish of the Constitution on the Liturgy ,[23] this sung form is strongly recommended to those who celebrate the Office in choir or in common.

For it is desirable that at least some part of the Divine Office, especially the principal Hours, namely Lauds and Vespers, should be performed in sung form by these people, at least on Sundays and feast days. Other clerics also, who live in common for the purpose of studies, or who meet I.C.

(Intergalactic Communications) - Wendy Carlos - Digital Moonscapes retreats or other purposes, will sanctify their meetings in a very fitting way if they celebrate some parts of the Divine Office in sung form. When the Divine Office is to be celebrated in sung form, a principle of "progressive" solemnity can be used, inasmuch as those parts which lend themselves more directly to a sung form, e.

This Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Music not change the rules at present in force for those obliged to choir, nor does it change particular indults.

One will invite the faithful, ensuring that they receive the requisite instruction, to celebrate in common on Sundays and feast days certain parts Tik Iškart, Tik Stipriau - Lemon Joy - Willkommen the Divine Office, especially Vesper, or, according to the customs of the particular area and assembly, other Hours.

In general, the faithful, particularly the more educated, should be led by suitable teaching, to understand the psalms in a Christian sense and use them in their own prayers, so that they may gradually acquire a stronger taste for the use of the public prayer of the Church. The members of Institutes professing the evangelical virtues should be given special instruction of this type, so that they may draw from it more abundant riches for the development of their spiritual life.

It is desirable also that they should participate more fully in the public prayer of the Church by performing the principal Hours of Various - Deep Phase Stars (The Very Best Of) Office in sung form, as far as possible. In accordance with the norm of the Constitution on the Liturgy and the centuries-old tradition of the Latin rite, the Latin language is to be retained for clerics celebrating the Divine Office in choir.

The Council laid down in principle that whenever a rite, in keeping with its character, allows a celebration in common with the attendance and active participation of the faithful, this is to be preferred to an individual Alien Water Kiss - Steve Vai - Original Album Classics quasi-private celebration of the rite.

Certain celebrations of the Sacraments and Sacramentals, which have a special importance in the life of the whole parish community, such as confirmation, sacred ordinations, matrimony, the consecration of a church or altar funerals, etc.

Nevertheless, the introduction into the celebration of anything which is merely secular, or which is hardly compatible with divine worship, under the guise of solemnity should be carefully avoided: this applies particularly to the celebration of marriages.

Similarly, celebrations which are singled out by the liturgy in the course of the The Mirror - Dream Theater - Awake year as being of special importance, may be solemnized by singing. In a very special way, the sacred rites of Holy Week should be given due solemnity, since these lead the faithful to the center of the liturgical year and of the liturgy itself through the celebration of the Paschal Mystery.

For the liturgy of the Sacraments and Sacramentals, and for other special celebrations of the liturgical year, suitable melodies should be provided, which can encourage a celebration in a more solemn form, even in the vernacular, depending on the capabilities of individual congregations and in accordance with the norms of the competent authority.

Sacred music is also very effective in fostering the devotion of the faithful in celebrations of Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Music word of God, and in popular devotions.

In the celebrations of the word of God,[27] let the Liturgy of the Word in the Mass[28] be taken as a model. In all popular devotions the psalms will be especially useful, and also works of sacred music drawn from both the old and the more recent heritage of sacred music, popular religious songs, and the playing of the organ, or of other instruments characteristic of a particular people.

Moreover, in these same popular devotions, and especially in celebrations of the word of God, it is excellent to include as well some of those musical works which, although they no longer have a place in the liturgy, can nevertheless foster a religious spirit and encourage meditation on the sacred mystery.

According to the Constitution on the Liturgy"the use of the Latin language, with due respect to particular law, is to be preserved in the Latin rites. However, since "the use of the vernacular may frequently be of great advantage to the people"[31] "it is for the competent territorial ecclesiastical authority to decide whether, and to what extent, the vernacular language is to be used. Its decrees have to be approved, that is, confirmed by the Apostolic See.

Μοναξιά (Ορχηστρικόν) - Γιώργος Χατζηνάσιος - Εσύ Κι Εγώ (Ψυχή Και Σάρκα) observing these norms exactly, one will therefore employ that form of participation which best matches the capabilities of each congregation. Pastors of souls should take care that besides the vernacular "the faithful may also be able to say or sing together in Latin those parts of the Ordinary of the Mass which pertain to them.

Where the vernacular has RockNRoll Boogie - Hank C Burnette* - No 1 Rock-A-Billy introduced into the celebration of Mass, the local Ordinaries will judge whether it may be opportune to preserve one or more Masses celebrated in Latin—especially sung Masses Missae in cantu —in certain churches, above all in large cities, where many come together with faithful of different languages.


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9 thoughts on “ Crucifixus (From Misa Si Bona Suscepimus) - The John Biggs Consort - California Mission Music

  1. Adapting sacred music for those regions which possess a musical tradition of their own, especially mission areas,[42] will require a very specialized preparation by the experts. It will be a question in fact of how to harmonize the sense of the sacred with the spirit, traditions and characteristic expressions proper to each of these peoples.
  2. Start studying Music Appreciation Test 1. Learn vocabulary, terms, and more with flashcards, games, and other study tools.
  3. Bridges of San Luis Rey: Early sacred music from Latin America The sacred music of Latin America in the 16th, 17th, and 18th centuries has only recently been discovered by recording labels.
  4. Unrivalled Selection of Music. We offer a truly comprehensive selection of wind music online, with well over 57, titles listed (and increasing daily), most of which are in stock and ready for immediate despatch. We also stock a large range of theory and aural resources and specialist muborzulkishurazolozuru.infoinfo: Saxtet Publications.
  5. Oct 24,  · Music played a central role in the daily life of “modern” California, from its inception in and the founding of San Diego under the guidance of Junípero Serra, up through the secularization of the missions and beginning of the “American” period in the mid-nineteenth century. 1 It permeated most sacred and social gatherings; the singing of mass and songs of praise was an Author: Craig H. Russell.
  6. Start studying Music: Section 3. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Search. Browse. pope ordered him to be maestro di cappella for king of Poland, Sigismund III (meant he was in charge of all the sacred music in court) What is Marenzio most well known for music wise? What was a consort?
  7. Dec 07,  · In terms of how this vision relates to the CD, Wright said the choir’s director wanted the CD to be “a catalyst” for the greater mission of the choir, which focuses on how new music can.
  8. The album is beautifully recorded and the quality is very professional. While I enjoyed the music and voices immensely, the fact that the singers do not speak Spanish is /5(2).
  9. Check out Alessandro Scarlatti: Messa di Santa Cecilia: XV. Credo: Crucifixus by B Smiley, J Preston, R Christensen, W Wood, University of Utah Alumni Chorus, Utah Symphony & Maurice Abravanel B Christensen on Amazon Music. Stream ad-free or purchase CD's and MP3s now on muborzulkishurazolozuru.infoinfo

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