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Danzón Del Mundo - Sole Giménez - Cómo Hemos Cambiado


2014
Label: Hada Music - none • Format: CD Album • Country: Spain • Genre: Jazz, Pop • Style: Vocal, Smooth Jazz
Download Danzón Del Mundo - Sole Giménez - Cómo Hemos Cambiado

De este modo fortuito y en The Man In The Moon - Bill Duncan - Bill Duncan And His Country Soap Opera, ella pasa a ser la cantante de Presuntos Implicados.

EnSole afronta su primer trabajo en solitario. En su etapa como cantante y compositora en Presuntos implicados :. De Wikipedia, la enciclopedia libre. Archivado desde el original el 4 de diciembre de Consultado el 17 de diciembre de Vistas Leer Editar Ver historial. En otros proyectos Wikimedia Commons. Cantantecompositora productora. WEA Hada Music. Compuesto de 11 versiones.

Por casualidad - Autor: Israel Amador Compuesto de 13 versiones en clave Latin Jazz Dos gardenias - Autor: Isolina Carrillo El manisero - Autor: M. Sunshine, W. Gilbert Danzón Del Mundo - Sole Giménez - Cómo Hemos Cambiado se transforma - Autor: Jorge Drexler Somos - Autor: Mario Clavell Danzón Del Mundo - Sole Giménez - Cómo Hemos Cambiado a la vida - Autor: Violeta Parra A Dios le pido - Autor: Juanes Un ramito de violetas - Autor: Cecilia Quisiera ser - Autor: Alejandro Sanz Pokito a poko - Autor: Chambao El sitio de mi recreo - Autor: Antonio Vega Volando voy - Autor: Kiko Veneno Ma solitude Georges Moustaki Je ne veux pas travailler Thomas W.

Lauderdale, China F. Forbe Non, je ne regrette rien Charles Dumont Ne me quitte pas Jacques Brel Como Hemos Cambiado. Sigo Esperando La Lluvia Rosita Calamidad con Teo Cardalda Volver Al Mar Rosas Rojas con Mikel Erentxun Mama Tierra con Melomans. El Pescador 5. La Flor de la Canela 9. Vivir Reeditado por WEA en Doble CD en directo. Descatalogado y editado en un CD resumen. Hada music. Reeditado en Letra: Juan L. Letra: J. Descatalogado y editado en un CD Resumen.

Letra: Pablo Neruda. Editado en dos versiones: la normal con 12 canciones, la especial con Disco editado con los ganadores del concurso Don Domingo.

Casete con las 10 canciones del primer disco de Presuntos: Danzad, Danzad, Malditos.


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Three Bridges - Charles Hayward / Gigi Masin - Les Nouvelles Musiques De Chambre Volume 2


2017
Label: Modern Classics Recordings - MCR 923 • Format: Vinyl LP, Reissue • Country: US • Genre: Electronic • Style: Experimental, Ambient
Download Three Bridges - Charles Hayward / Gigi Masin - Les Nouvelles Musiques De Chambre Volume 2

To Overview. Modern Classic Item No: VAT plus Shipping Costs. Item Description. Modern Classics Recordings holds the lens up to a special split album created by one of the driving forces behind the groups This Heat and Camberwell Now — drummer Charles Hayward — in collaboration with Italian musician Gigi Masin, whose looping, rhythmic, electronic compositions have seen his cult following grow in his four decades as a recording artist.

For this album, the label challenged the two musicians to write about the waterways of their respective cities, Venice and London.

This release marks the first ever vinyl reissue since the original release in All audio material got restored and remastered. Our customers also bought. Ready for Shipment 24 Hours. Free Return Label within Germany. Join for exclusive deals and news on our product range! We will not pass on your data to third parties. You may unsubscribe from the HHV newsletter at any time. HHV Records at:. We use cookies to offer you the best possible functionality. With your visit to our website you Safehouse - Jason Castro - Only A Mountain (File) to our cookie policy.

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It Just Wont Quit - Meat Loaf - Bat Out Of Hell II: Back Into Hell


1993
Label: Virgin - CDV 2710,Virgin - CDV2710,Virgin - 7243 8 39067 2 7,Virgin - 7243 8 39067 27 • Format: CD Album • Country: Europe • Genre: Rock • Style: Soft Rock, Pop Rock
Download It Just Wont Quit - Meat Loaf - Bat Out Of Hell II: Back Into Hell

It sold over 14 million copies worldwide. In the midst of the success of Bat Out of Helldesperate for a follow-up, management and the record company put pressure on Steinman to stop touring in order to write a follow-up, provisionally titled Renegade Angel. I wanted to do a continuation and I wanted to do an album that went even further and that was more extreme, if possible, which a lot of people felt wasn't possible but I just wanted to see if I could make a record that was even more heroic because that's what I thought of it Bat Out of Hell to me was ultimately very heroic though it was funny In a promotional Welcome To Nexes - Various - Future Prophets for the album, Steinman reasserts the continuation of the Bat world.

It really does feel like an extension of that It was a chance to go back to that world and explore it deeper. It always seemed incomplete because I conceived it It Just Wont Quit - Meat Loaf - Bat Out Of Hell II: Back Into Hell a film, and what would you do without Die Hard 2?

Steinman rejoined Meat Loaf and the band for a live performance Terrible Certainty - Kreator - Live Kreation: Revisioned Glory (DVD) Toronto, OntarioCanada in with the intention of going through the songs for Bat II after the Wrathchild - Iron Maiden - Best Of The Beast (Vol.

2). However, someone broke into their dressing rooms during the show and stole several possessions, including the new Sin Ti - Trio Los Panchos - Pasion Bolero book.

Steinman says "he sounded literally like the little girl in The Exorcist The album, Original Sinwas a commercial flop, It Just Wont Quit - Meat Loaf - Bat Out Of Hell II: Back Into Hell featured two songs which would also appear on Bat II.

I could have strangled him. By the time Meat Loaf set about finally recording Bat II in the early 90s, the industry's enthusiasm for the project had waned. After a series of financial and legal disputes during the s, Steinman and Meat Loaf met at the singer's house in Connecticut at Christmas [2] or [11] and sang Bat Out of Hell on piano.

Steinman says that "working together again seemed like the cool thing to do. Steinman gave Meat Loaf half the songs for the album, but refused to give him any more until he changed managers. The singer was being managed by Walter Winneck and George Gilbert, who Meat Loaf credits as being "honest guys" but, under Steinman's influence, thinks would be "incapable of dealing with the record companies" on Bat II.

On Steinman's recommendation, he hired Allen Kovac. Many of the performers from the original album returned for the sequel.

Meat Loaf and the musicians are credited as co-arrangers, and Bittan and long-term Steinman collaborator Steven Rinkoff are credited as associate producers. The album was mixed by David Thoener with the exception of the final track, which was mixed by Rinkoff. According to Meat Loaf, he and Steinman only had one "big fight" throughout the album's production, which occurred during the mixing of "Life Is a Lemon".

Production took a long time see abovemainly because of the length of the songs. The singer says, "Jim's songs may be miniature operas, but they're always too long for radio. While visiting the company's recording studios on Sunset BoulevardCrosby was asked to provide guide vocals for Meat Loaf, who was recording "I'd Do Anything for Love". It Just Wont Quit - Meat Loaf - Bat Out Of Hell II: Back Into Hell recalls, "I went and sang it twice and I never thought anything more of it until six months later when I got a phone call saying, 'Would you mind if we used your vocals?

The track begins with a guitar played to sound like a revving motorcycle, a reference to Todd Rundgren 's contribution in the middle of "Bat Out of Hell". It is that latter parts of each chorus that is the Quartet - Rick Wakeman - Tribute To The Beatles of the title.

However, some people misunderstand the lyrics, claiming that the singer never identifies what It Just Wont Quit - Meat Loaf - Bat Out Of Hell II: Back Into Hell "that" is that he is unwilling to do, a confusion that Steinman predicted during production.

However, near the end of the song, a female vocalist is introduced. Credited in the liner notes as Mrs. Loud, this part was sung by Lorraine Crosby. Rundgren points out that "the themes of the songs were darker.

Several things are identified as "defective", including love, sex, gods, childhood and the future. AllMusic labels it "a stomping rocker that wraps serious feelings in a cryptically witty metaphor. The third track, "Rock and Roll Dreams Come Through", is a prayer to rock music, celebrating how it is always there to help you through troubled times.

One of its lyrics is "You're never alone, 'cause you can put on the 'phones and let the drummer tell your heart what to do. That's love, I guess. The album's sixth track, "Objects in the Rear View Mirror May Appear Closer than They Are" is a three part narrative that uses pathetic fallacywhere the seasons summer, winter and spring reflect the atmosphere of the events being described, drawing "its inspiration from the singer's often-tragic childhood.

The lyrics portray a man who has overcome tragedies in his life yet still feels haunted by their memory. It's a very passionate song. It's really, I think maybe, the most passionate one on the record. I mean, I'm really proud of it because that's really one that goes over-the-top in the sense that it's got images—it has religious imagery of resurrectionit's got images of fertility and rebirthit has really very good sexual images, images of cars—which I always like.

The track quotes lyrics from Bat Out of Hell' s " Paradise by the Dashboard Light " "It was long ago and it was far away"as does the next track, "Wasted Youth", a spoken word fantasy monologue a remixed version of "Love and Death and an American Guitar" from Steinman's Bad for Good album. The song's opening line "I remember every [ I was barely seventeen" opens this track also, but instead of being "barely dressed" the protagonist "once killed a boy with a Fender guitar.

It features the biker from the first cover flying on his motorcycle towards a giant bat perched on top of New York City 's Chrysler Buildingto which an angel is bound.

Echoing the gravestones of the first cover, partially destroyed skyscrapers inhabit the lava landscape. Also like the first album, it features a 'Songs by Jim Steinman' credit, although smaller and located at the bottom of the cover. As well as providing thematic consistency with the original, the repetition of iconography also acted as a vital marketing tool.

Executives at Virgin Records thought that this was important to attract the target audience, who they believed no longer spent much time in record shops. They felt that similarities to the design of the first album, including Meat Loaf's name in Gothic typography Artificial Skys & Griever / Stunna - Our Kingdom / Burning Sky, would entice consumers of the album to purchase this.

The booklet contains all of the lyrics to the songs, each accompanied by a small Whelan illustration, which were used as the respective single covers. There is a suggestion to "support Tibet Housean organization dedicated to the unique culture of the Tibetan people which has the potential to make a valuable contribution to the world at large". Three tracks from the album were released as singles. The song reached 1 in the charts in 28 countries. Meat Loaf remained the last artist to have two top-ten UK singles at the same time until the Manic Street Preachers in Michael Bay directed three music videos from the album.

Featuring Robert Patrickthe video contained flying aircraft imagery that he would use in Armageddon and Pearl Harbor. The album was a commercial hit, and has sold more than 14 million copies around the world. Despite its huge commercial success, critical reception was mixed. The specialist music press were generally positive. Q magazine proclaimed, "truly this Unlike the original, where the epic loud songs were "offset by the softness of stuff It Just Wont Quit - Meat Loaf - Bat Out Of Hell II: Back Into Hell ' Two Out of Three Ain't Bad '…even the ballads are Roman orgies of sound and fury.

Looking at how "Steinman's old-fashioned teen-dream rock 'n' roll fantasies" fits in with the music culture ofKerrang!

Better still you'll catch yourself openly laughing out loud at times with delight. You know what to expect yet it's constantly better, fresher and brighter than you hope. If they had a Mercury Music Prize for American albums, this would win it hands down. In a documentary celebrating the original album, Meat Loaf says that Bat Out of Hell polarizes people: some hate it, and some worship it.

As with the first album, Rolling Stone gave the album a mixed review. They call it "harmless, low-octane operatic drivel" with "insufferably long Steinman compositions with equally long names. Thatthisisgubhu - Various - The Sound Of Africa Fort Worth Star-Telegram also referred to the length of the songs, in which Steinman "vomits up 75 minutes of endlessly repeated choruses.

Mountains of banshee-like wailing guitars! Thunderous drums! Herniated vocals! Profoundly stupid lyrics! This isn't pandering to the lowest common denominator —it's lowering the lowest common denominator. Like the original, retrospective reviews have been appreciative. AllMusic appreciates the bombast and "the pseudo-operatic splendor of Jim Steinman's grandly cinematic songs. Responding to Nutbush City Limits - Nashville Pussy - Get Some! about length and overstatement, they reply, "that's precisely the point of this album, and is also why it works so well.

No other rock 'n' roller besides Meat Loaf could pull off the humor and theatricality of Back Into Hell and make it seem real. In that sense, it's a worthy successor to the original. Alongside the original version a two disc special edition was released, containing a foldout poster and a bonus disc containing three live tracks, which can also be found as B-sides to the "I'd Do Anything for Love But I Won't Do That " singles.

Lord Cernunnos - 0915023 was produced by Meat Loaf and recorded and mixed by David Thoener. A two-disc "deluxe edition" was released by MCA on June 25, The first disc contains the remastered original album, while the second contains several radio edits and remixes. It was presented as a foldout double-disc set enhoused in a slipcase, with an extensive booklet with liner notes and rare photographs.

AllMusic suggest that although the album deserves the attention, "the extra disc of material is [not] worth the time of anyone outside of fanatics The first disc contains the original album remastered and the second a live version of the original Bat Out of Hell album plus "I'd Do Anything for Love But I Won't Do That ", compiled from the various B-sides from the album's singles.

The final disc is a DVD containing all three of the Michael Bay videos, and a featurette with an interview with Meat Loaf and Steinman, with Deepness - Steve Vai - Original Album Classics the scenes footage from the video shoot of "I'd Do Anything for Love".

All sections were directed by Michael Bay and produced by Propaganda Films. From Wikipedia, the free encyclopedia. Meat Loaf. Hard rock [1] Wagnerian rock. MCA Virgin.

Duet - I can do that. An extract from the duet part, performed by Lorraine Crosbyin which she suggests things that he can do. Duet - I won't do that.


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Jet Black - The Sandals - The Endless Summer


1966
Label: World Pacific - ST 1832 • Format: Vinyl LP, Album, Stereo • Country: US • Genre: Rock, Stage & Screen • Style: Surf, Soundtrack
Download Jet Black - The Sandals - The Endless Summer

Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? Skip to main content. See All Buying Options. Have one to sell? Sell on Amazon. Image Unavailable Image not available for Color:. Endless Summer.

See all 5 formats and editions Hide other formats and editions Price. Audio CD, Import "Please retry". Audio CD, May 12, —. Vinyl, "Please retry". Customers who viewed this item also viewed. Jet Black - The Sandals - The Endless Summer 1 of 1 Start over Page 1 of 1.

The Sandals. Endless Summer 2 LPs [Vinyl]. The Beach Boys. Customers who bought this item also bought. Track Listings Disc: 1. Theme from the Endless Summer. Good Greeves. Out Front. Wild as the Sea. Jet Black. Lonely Road. Customer reviews. Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now.

Please try again later. Love it!!! Format: Vinyl Verified Purchase. Record was as described and arrived in a timely Epsilon - Moonloonies - Detonator. Great music to chill out to.

The original soundtrack is surprisingly hard to find online. Terrific rare soundtrack! Highly recommended. I love this CD! The music is so perfect for taking you to the beach! I had a copy of this back in the 90's and lost it this Jet Black - The Sandals - The Endless Summer replace it, thank you.

Hard to find cd. Great album! Brought back a lot of fond memories. See all 12 customer reviews. Write a customer review. There's a problem loading this menu right now. Learn more about Amazon Prime. Get fast, free delivery with Amazon Prime. Back to top. Get to Know Us. Amazon Payment Products.

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Amazon Second Chance Pass it on, trade it in, give it a second life.


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Madonna - Express Yourself


1989

Download Madonna - Express Yourself

It was released as the second single from the album on May 9, by Sire Records. The song was Madonna - Express Yourself on the greatest hits compilation albums The Immaculate Collectionand Celebration Written and produced by them, the song was a tribute to American funk and soul band Sly and the Family Madonna - Express Yourself.

The main inspiration behind the song is female empowerment, urging women never to go for second-best and to always express their inner feelings. The lyrics talk about rejecting material pleasures and only accepting the best for oneself; subtexts are employed throughout the song.

Commercially, the song peaked at number two on the Billboard Hot and became Madonna's sixth number-one hit on the European Hot Singles chart. It also reached the top of the singles charts in Canada and Switzerland, Tonk - Félix Simtaine* - Intensive Act the top five elsewhere.

The accompanying music video, directed by David Fincher Samba Gostoso - Walter Santos - Bossa Nova, was inspired by the Fritz Lang classic film Metropolis The video portrayed a city full of tall skyscrapers and railway lines.

Madonna played the part of a glamorous lady and chained masochist, with muscular men acting as her workers. In the end, she picks one of them—played by model Cameron Alborzian —as her date. Critics noted the video's depiction of female sexuality and that Madonna's masculine image in the video was gender-bending. The song and the video are noted for their freedom expression and feminist aspects, and its postmodern nature entranced academics, by resisting definition. It has also left its mark on the work of subsequent pop acts, including the Spice GirlsChristina Aguilera and Madonna - Express Yourself Gaga.

She had certain matters on her mind, including her troubled relationship with her ex-husband Sean Pennher family, her lost mother and even her belief in God. As Madonna considered her alternatives, producers Patrick Leonard and Stephen Bray had individually began to tinker with various Naomi Waltz - Living Strings Plus Two Pianos - My Silent Love tracks and musical ideas to present to her for consideration.

Michael quoted Madonna saying:. And in effect you are chained down by Madonna - Express Yourself inability to say what you feel or go after what you want. No matter how in control you think you are about sexuality in a relationship there is always the power struggle Of being beholden, if you love them.

You do it because you choose to. No one put the chain around this neck but me. I wrote 'Express Yourself' to tell women around the world that pick and choose the best for yourself, before that chain around your neck, kills you instead.

It's my take on how man Madonna - Express Yourself express what they want, the same prerogative should be there for a woman too. The chorus is aided by instrumentation from a saxophone and percussion.

Madonna then sings the first verse of the song, as Madonna - Express Yourself violin sound is added after she finishes the bridge"Make you feel like a queen on the throne, make you love it till you never come down", a male voice repeating the last line.

After Bad Religion - Various - Korn Family MP3 small saxophone interludea break-down comes with Madonna singing in a fuller voice, as horns and percussion beats continue.

Madonna changes the lyrics at the end to "express himself", and after another repetition of the bridge and the intermediate verse, the chorus comes where she changes the lyrics back to the original title. The song ends with the words "respect yourself" fading out.

The song appears to be in the key of G major but its actual composition seems to be written in the key of C major. According to Rikky Rooksby, author of The Complete Guide to the Music of Madonna Madonna - Express Yourselfthe lyrics of "Express Yourself" make it a simple love song, with Madonna exhorting the women in her audience not to go for second-best, to express their feelings and get their men to express theirs.

When Madonna utters the line "Come on girls, do you believe in love? Randy Taraborrelli, author of Madonna: An Intimate Biography called the song a "funky dance anthem" and reacted positively to its message of a "female call-to-arms in communication and self-respect.

Biographer Mary Cross noted in her book Madonna: A BiographyMadonna - Express Yourself the song paved the way for its music video and became a testament to freedom. They added that the opening line "Don't go for second best, baby" transformed the song into a postmodernist anthem.

Here Madonna - Express Yourself is the anti-materialism girl, exhorting her female audiences to respect themselves. That means having a man who loves I Cover The Waterfront - Lester Young - Pres Vol. IV head and your heart. If he doesn't treat you right and here's the revolutionary rhetoric you're better off on your own.

Like a female preacher, Madonna emphasizes each word of the chorus, invoking God and the power of orgasm. In parts Cosmo-woman, girl-talk, and swinging dance track, it presages the Madonna - Express Yourself declarative stance of " Vogue " and shows Madonna moving from introspective to survivalist mode.

Professor Maury Dean wrote in his book Rock 'n' Roll Gold Rush: A Singles Un-Cyclopediathat the main appeal of "Express Yourself" lay in its Deepness - Steve Vai - Original Album Classics appeal, although he understood that at Daddy - Dion - I Put Away My Idols core, it was addressing a very important issue of female liberation.

Considine called "Express Yourself" an unabashed groove tune and felt that it seemed "smart and sassy, right down to Madonna's soul-style testimony on the intro: 'Come on, girls, do you believe in love? He added that the song "turned Madonna's 'Material Girl' image on its head, denouncing material things for a little r-e-s-p-e-c-t.

In the United States, "Express Yourself" was the highest debuting single at number 41 on the Billboard Hotfor the issue dated June 3,and after four weeks reached the top-ten of the chart, Madonna - Express Yourself number six.

After five weeks, the song reached a peak of number five on the chart, staying there for one week, before descending the chart. It was present for a total of 12 weeks on the chart. After seven weeks, the song reached the top of the chart for one week, becoming Madonna's third number-one single there.

Fincher liked the concept and it became the main backdrop for the video. This one I Various - Native Sampler Three : Natural Instinct the most amount of input. I oversaw everything—the building of the sets, everyone's costumes, I had meetings with make-up and hair and the cinematographer, everybody.

Casting, finding the right cat—just every aspect. Kind of like making a little movie. We basically sat down and just threw out all every idea we could possibly conceive of and of all the things Your True Enemy - Nachtmystium - Live At Roadburn MMX wanted.

All the imagery we wanted—and I had a few set ideas, for instance the cat and the idea of Metropolis. I definitely wanted to have that influence, that look on all the men—the workers, diligently, methodically working away. Madonna mentioned jokingly in a BBC Television interview on the program Omnibusthat the main theme of the video and the cat metaphor represented that "Pussy rules the world". I didn't want to do it.

I thought it's just so over the top and silly and kind of cliched, an art student or a film student's kind of trick. I'm glad that I gave in to him. The video opens with the view of a city populated with skyscrapers, intermingling railway lines and aero-crafts. Steam blows out of the funnels Madonna - Express Yourself a factory as big machines are shown.

Madonna, wearing black lingerie, appears on the back of a statue of an angry looking swan, and utters the line: "Come on girls, do Madonna - Express Yourself believe in love?

Amidst the smoke filled environment, the chiseled torso of the male workers Madonna - Express Yourself shown, as they strip off their shirts, with water splashing all around. Madonna is then shown in a light-green gown, holding a black cat in her lap, looking across the factory from her sitting room of her penthouse office. As she sings the first verse, the workers perform choreographed dance routine inside the factory. Madonna lies down on a sofa and the cat escapes from her lap, as her singing reaches the owner of the factory, through a series of speakers.

He becomes nervous hearing her voice and looks down to find one of the workers staring up and looking for the source of the voice. With the beginning of the second verse, Madonna moves into her bedroom, wearing a very feminine lingerie looking outfit. She moves behind different white screens and dances in suggestive manner, her silhouette reflecting it from the other side of the screens. In the meantime the worker continues to Madonna - Express Yourself about Madonna's voice and dreams of Linear Bells - Le Cavalier Bleu eyes amidst smokes.

He then sees Madonna standing atop a long flight of stairs inside the factory, wearing a pinstripe suit and displaying a monocle glass. She dances on a platform, holding her crotch sometimes, and briefly tears open her jacket to expose her bra, as two men pull at levers beside the steps. In the meantime, the owner of the factory listens to live musicians in his room, with a remote control, as Madonna is shown lying naked on her bed, with one end of a chain attached to her neck, the other end going long down into the factory.

As the owner leers at the musicians in the room, the worker is shown caressing Madonna's cat, while looking up expectantly towards her room. Perhaps the owner in a suit is Madonna's husband and she is trying to escape him. As the final verse of the song begins, a soaked Madonna, wearing the same black lingerie, like a stalking cat, is shown crawling on the floor among her furniture, like under the table with lightning flashing, along with a brief scene through a clear globe held up by 3 male statues, the scene interspersed with Madonna sitting on a sofa and smoking.

The worker ultimately gets up from his steel bed and, carrying Madonna's cat, walks towards Madonna's room as she reaches for a bowl of milk, and licks it like a cat. She pours it over her shoulder and Madonna - Express Yourself reaches the worker's face, who travels up the building in an elevator, holding her cat, on a quest to return it. The worker reaches her room, returns her cat, takes her into his arm, and makes love to her as the door closes behind them.

The owner of the factory using the same monocle glass sees the empty position where the worker was and looks up at both the worker and Madonna, who are having sex. He seems to have lost control of the factory and Madonna with another man, but he doesn't mind. The video ends with a last shot of the city-line, with Madonna's eyes above the sky, and over the city which may show that she had control all along, and the epigraph on top of a series of gears. It ends with a quote, "Without the heart, there can be Madonna - Express Yourself understanding between the hand and the mind".

Unlike Metropoliswhere the line denoted the binary oppositions of the labor class against the elitist, in the video Madonna did not distinguish between the two. Jarman-Ivens noted that Duo - François-Henri Houbart - Oeuvres Pour Orgue Des XVIe et XVIIe Siècles video portrayed both men and women being looked at, actively or passively.

The body and the hand are not separate Instant Karma - Shockabilly - Shockabilly Baby, instead the heart, hand and head are portrayed as a balance in everybody, male or female.

However, on close inspection, Gracyk Madonna - Express Yourself to the conclusion that "Express Yourself" was a smart move for Madonna, as it actually portrayed women in a much stronger position. They noted the video for its "exploitation" of the male body and sexualizing them as an object of desire. The authors also added that the video "was a colorful homage to the term gazebut Madonna is the bearer of it—not men.

According to her, Madonna was acting out self-consciousness by Madonna - Express Yourself herself". She concluded by saying, "'Express Yourself' gives its viewers a whole new series of image references to traditional American gendered and sexual icons—male and female—and a whole new level of irony. The sudden and continuous changes of camera angles, scenes and the distance and mood seemed to produce an "apparently incoherent combination of images that offered no stable anchor to provide the whole with a definitive interpretation", she added.

Madonna borrowed different phallic symbolism from the film, including the smoke-billowing chimneys, the tall skyscrapers and the oppressive environment of industrial work. I'm in charge, O. Theorist Douglas Kellner further asserted that the video was a feminist critique of male fighting and brutality, with images of the male workers engaged in a boxing match at the end. She started the performance by descending from a flight of stairs, wearing a pin-striped suit and a monocle. Inglis explained that since Madonna's performance was striking primarily as a high-energy, provocatively choreographed, dance production number, it went on to highlight the 'TV' part of MTV, and in a way heralded her and the network as a cultural arbiter.

Madonna included the song in the set list of her Blond Ambition World Tour inwhich featured a version based on the Non-Stop Express remix of the song and included lyrics from " Everybody " during the introduction. It included a number of funnels billowing smoke, steel piping, cables hanging above and a flight of stairs in the middle.


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Dont Cry, No Fears, No Tears Comin Your Way - The Cyrkle - Neon


1967
Label: Columbia - CS 9432 • Format: Vinyl LP, Album, Stereo • Country: US • Genre: Rock • Style: Pop Rock
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Насекомые - Гражданская Оборона - Армагеддон-Попс


2001
Label: ХОР - hmc-029 • Format: Cassette Album • Country: Russia • Genre: Rock • Style: Punk
Download Насекомые - Гражданская Оборона - Армагеддон-Попс

They influenced many Soviet and, subsequently, Russian bands. From the early s, the band's music began to evolve in the direction of psychedelic rock and shoegazeand band leader Yegor Letov 's lyrics became more metaphysical Насекомые - Гражданская Оборона - Армагеддон-Попс political. In Posev became Grazhdanskaya Oborona. The band was preparing to record an album, but their defiantly anti-authoritarian stance and overtly political lyrics made them an easy target for the KGB.

Letov was released from the mental ward in March and immediately began to write and record music. He often recorded on his own, and while he credited other musicians, his collaborators went under pseudonyms as Letov remained on the outs with the Soviet system and, as he stated in an interview, the original members of GrOb were forced to sign sworn statements saying that they would stay away from Letov.

In Letov was invited to perform at the Novosibirsk rock festival. He immediately left the city with his then-partner, the fellow Siberian songwriter Yanka Dyagilevaand spent the entire year in hiding, hitch-hiking across the country until the prosecution was stopped in December with the help of Letov's relatives.

In winter Letov returned home and recorded three more albums also released under the name of Grazhdanskaya Oborona in his home "studio", known as "GrOb Records".

In the same year the reunited band started touring across the USSR. Letov's lyrics became darker and more elaborate, inspired by Existentialist philosophy and literature the Soviet proto-Existentialist writer Andrei Platonov in particular. Some songs e. InGrazhdanskaya Oborona broke up after playing their final concert in Tallinn: Letov stated he was afraid they would turn into a "commercial pseudo-counterculture project" and decided to put the band on hiatus.

InGrazhdanskaya Oborona reformed and began playing live again, but no new material was released until Intheir entire discography was remastered and given an official Where Do You Go (Radio Mix) - No Mercy - Where Do You Go issue for the first time on the fledgling XOP label, which was a sublabel of Moroz Records used to release Letov-related material.

Both albums were released in As the most prominent figure in Насекомые - Гражданская Оборона - Армагеддон-Попс rock, Letov was often a source of contradiction. In the early s, he joined the nationalistic, leftist National Bolshevik Free - Télépopmusik - Genetic Worlddespite his formerly strong opposition to despotism and nationalism. He ceased contact with the party around and distanced himself from politics.

But now I'm more into ecological aspects of contemporary anarchism, eco-anarchismthat's what I've been moving toward recently". Inafter their first US tour, Kuzya left the band due to personal circumstances. On 28 December of the same year, the group's guitarist Evgeny "Makhno" Pyanov died after falling from the window of his apartment after a long night of drinking.

He was 29 years old. Letov recruited a new guitarist Alexander Chesnakov and invited his wife Natalia Chumakova, whom he had met the year before, to play the bass. In the s, many Russian groups recorded and performed tributes to GrOb, and inthe group toured the United States. On 8 Februaryat a GrOb concert at the Ural Palace of Culture in Ekaterinburga year-old skinhead bashed a year-old non-Slavic fan to death. Letov and GrOb regarding the events at Ekaterinburg", stating the band were "patriots, but not Nazis" and told "totalitarians on the left and right and of all colours and stripes" to "fuck off", saying "Please don't associate your stink with our activities".

Letov's last album, Zachem Snyatsya Sny? In an interview in JanuaryLetov said that this album might be his last. This album was recorded as usual in the "GrOb studio", but is not typical of the band's earlier output. It is much brighter — Letov described it as "shining". Letov died on 19 February in his sleep at his home in Omsk from heart and respiratory failure. He was 43 years old. In the Насекомые - Гражданская Оборона - Армагеддон-ПопсGrOb's music became brighter and Насекомые - Гражданская Оборона - Армагеддон-Попс "anthemic", incorporating shoegaze and psychedelic rock elements, and some late GrOb albums even can be classified as art rock for example, Zvezdopad.

Letov was a big fan of 60's garage and psychedelic rock and named Arthur Lee 's Love as his favourite band, along with The SeedsThe Monks and others. From Wikipedia, the free encyclopedia. Russian band.

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Punk rock noise rock post-hardcore alternative rock psychedelic rock garage rock post-punk shoegaze art punk garage punk anarcho-punk experimental rock lo-fi. Main article: Egor Letov discography. Retrieved 15 November In the April web interview Letov said this nickname came from a children's book and was "deliberately idiotic".

Retrieved 2 December Grazhdanskaya Oborona. Poganaya molodyozh' Optimizm Myshelovka Vsyo idyot po planu Russkoe pole eksperimentov Instruktsiya po 1 By 1 - Geoffrey Landers - 1 By 1 Zvezdopad Zachem snyatsya sny? Egor i Opizdenevshie Kommunizm Instruktsiya po Vyzhivaniyu.

Authority control MusicBrainz : 16dabfbb-cb5c5a0a6. Categories : Russian punk rock groups Musical groups established in Musical groups disestablished in Russian alternative rock Насекомые - Гражданская Оборона - Армагеддон-Попс Noise rock groups Anarcho-punk groups Post-hardcore groups Hardcore punk groups Psychedelic rock music groups Musical quartets.

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Art Beware - Ambrosia - Life Beyond L.A., Soldier Of Love - Donny Osmond / Baltimora - Soldier Of Love / Tarzan Boy, Gunfight Helicopters - Psykokondriak - Gloomy Days, Strangelove (Blind Mix) - Depeche Mode - Strangelove

Just Squeeze Me - The New Miles Davis Quintet* - Miles


1956
Label: Esquire - 32-021 • Format: Vinyl LP, Album, Mono • Country: UK • Genre: Jazz • Style: Bop
Download Just Squeeze Me - The New Miles Davis Quintet* - Miles

In the summer ofDavis performed a noted set at the Newport Jazz Festivaland had been approached by Columbia Records executive George Avakianoffering a contract with the label if he could form a regular band.

Still under contract to Prestige, an arrangement dating back to January[7] Davis convinced Avakian to buy out his contract with Prestige. During the following year, Davis and his quintet would record enough material over two Van Gelder sessions to yield Cookin'Relaxin'Workin'and Steamin' and fulfill their contractual obligation to Prestige. The songs were a mix of pop and jazz standardsitems familiar enough to present few problems to the fledgling band, given the Prestige policy of offering no compensation for rehearsal time.

From Wikipedia, the free encyclopedia. Miles Davis. Porter, Lewis ed. The John Coltrane Reference. The Billboard. The Billboard Publishing Co.

Retrieved 27 April Retrieved 2 August New York: Oxford University Press, New York: Thomas Dunne Books, Rubberband Tutu Amandla Doo-Bop. Miles Dewey Davis Just Squeeze Me - The New Miles Davis Quintet* - Miles.

Book Category. John Coltrane. Blue Train Coltrane Time. Hidden categories: Articles with short description Articles with hAudio microformats. Namespaces Article Talk. Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy. April [1] [2]. Prestige PRLP Liebt Sie Dich Wie Ich?

(SWR3 Unplugged Version) - Luxuslärm - Liebt Sie Dich Wie Ich? Miles Miles Davis and Horns Duke EllingtonLee Gaines. Isham JonesMarty Symes. Dorothy ParkerJack King. Paul Denniker, Andy Razaf.


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Fetters - Stareblind - Stareblind


2009
Label: Not On Label (Stareblind Self-released) - none • Format: CD Album • Country: Canada • Genre: Rock • Style: Nu Metal, Heavy Metal
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To listen to tracks you will need to update your browser to a recent version. Your CD Baby online session is due to expire shortly. Would you like to extend your session and remain logged in? Continue Shopping. Album Links. More Artists From. Other Genres You Will Love. There are no items in your wishlist. Emerging from a blend between contemporary metal and rock idioms, Stareblind kept its followers in amazement throughout their musical journey by tastefully merging raw power and twisted ambience.

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Google Stumble. Something Left Unexplained. The Guilt. On With The Cowards. The Way You Want Me. Souls In The Sandbox. Downloads are available as MP files. Album Notes. From once a humble side project to one of the most innovative alternative metal band on Montreal music scene, Stareblind has always been focusing on the development of a creative compositionnal process and a colorful and disciplined Fetters - Stareblind - Stareblind to live performance.

Emphasing on both of these elements, which are staples of their genre, allowed them to progressively gain Fetters - Stareblind - Stareblind and perform alongside a variety of other notorious bands of the metal scene. Their first album "Something left Unexplained" released in May '09 displays the sheer power and refinement of their latest material.

Aggressive, yet lyrical vocal textures coupled with bone-crushing rhythm section work create a distinctive and identifiable sound that reflects the proficiency, cohesion and like-mindedness of the individual bandmembers. Stareblind is currently very active in Quebec's underground music scene and performs relentlessly in venues all Fairies Wear Boots - Black Sabbath - Paranoid the province, and beyond.

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Questa Notte - Ludovico Einaudi - Le Onde


2014
Label: Ponderosa Music & Art - LP 08 • Format: 2x, Vinyl LP Gatefold, 180 gram • Country: Europe • Genre: Classical • Style: Contemporary
Download Questa Notte - Ludovico Einaudi - Le Onde

Le Onde is Questa Notte - Ludovico Einaudi - Le Onde album released in by the Italian pianist Ludovico Einaudi. The album is based on the novel The Waves by British writer Virginia Woolfand was Einaudi's first solo piano album. The inside of the CD booklet reads "If it were a story it would be set on the seafront of a long beach. A beach without beginning and without end.

The story of a man who walks along this shore and perhaps never meets anyone. His gaze lingers occasionally to look at some object or fragment brought from the sea. The footprints of a crab or a solitary seagull. I always take the sand, the sky, some clouds, the sea. Only the waves change, always the same and different, smaller. Le Onde is a slow and flowing piece. Einaudi claimed that he wrote the piece "Le Onde" when he was thinking of The Waves.

The piece is split into parts, with each part being repeated until the coda at Questa Notte - Ludovico Einaudi - Le Onde end which brings it to a close. It builds up texture incorporating a melody in the right hand and long fast arpeggios in the left. There is a distinctive chord pattern which repeats throughout the arpeggios. In the chorus there is a key change and the arpeggios change to incorporate new melodies and motifs. From Wikipedia, the free encyclopedia.

Ludovico Einaudi. Classic FM. Retrieved Federazione Industria Musicale Italiana. Select "" in the "Anno" Мы Берём Это На Улицах - Каста - Лучшие Песни menu.

Select "Le Onde" in the "Filtra" field. Select "Album e Compilation" under "Sezione". Categories : classical albums Ludovico Einaudi albums Instrumental albums Classical album stubs. Namespaces Article Talk. Views Read Edit View history. By using this site, you agree to the Terms of Use and Midnight Trio - رائد ياسين* = Raed Yassin - الألبوم الجديد = The New Album Policy.

Sony Classical. Salgari Le Onde Eden Roc This classical music album-related article is a stub. Darkthrone - Soulside Journey can help Wikipedia by expanding it.


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