Label: Decca - 452 576-2 • Format: 2x, CD Album, Compilation • Country: UK • Genre: Classical • Style: Romantic
Nevertheless, the adventurous, evocative character of the music has encouraged many listeners to venture their own interpretations, among them a Op.9 - Sibelius* - Ashkenazy* • Stein* - Finlandia (Finlandia • Karelia Suite • En Saga Tap landscape such as that by the Finnish painter Akseli Lady, Lady - Babyface - From The Hearta hunting expedition, a bard's storytelling, and the essence of Finnish people.
Sibelius routinely declined to state a program, although in the s, he conceded that, if one must find an inspiration, the tone poem owed its nature not to the Kalevalathe national epic of Finland, but rather to Iceland's Eddas. By the s, however, Sibelius had reverted to his previous position, describing the work instead as "the expression of a certain state of mind"—one with an unspecified, "painful" autobiographical component—for which "all literary interpretations [were therefore] totally alien".
Moreover, the revised version of the tone poem is often described as being of superior craftsmanship relative to the youthful rawness of its predecessor. Although the creative origins of En saga remain somewhat uncertain, it appears as though the material that would become En saga may have begun as, and thus evolved from, a septet or octet for flute, clarinet, and string ensemble that the composer had begun in —91, during which time he was a student in Vienna under Robert Fuchs and Karl Goldmark.
This chamber piece, however, has never been found. Following the success of the choral symphony Kullervo inRobert Kajanus, founder and chief conductor of the Helsinki Orchestral Societyrequested from Sibelius a purely orchestral piece, albeit one "in a more popular style" that would not make "too great demands on [the general public's] powers of concentration and comprehension"; in the s, Sibelius told his biographer, Karl Ekman, that the result of this invitation was the orchestral tone poem En saga.
Later in life, however, Sibelius Op.9 - Sibelius* - Ashkenazy* • Stein* - Finlandia (Finlandia • Karelia Suite • En Saga Tap Kajanus's influence, telling a second biographer, Eric Ringbom, in the s that En saga actually had not been the result Kajanus's offer: " Nothing came of it. Instead I completed the orchestral work I had already started and to which I gave the name En saga I did not comply with his request The autograph manuscript of the original version of En saga does not survive, although a manuscript and complete set of orchestral parts are preserved in the Helsinki Philharmonic Orchestra collection.
Inthe Italian composer, conductor, and pianist, Ferruccio Busoni, began a series of concerts eventually 12 in all, from to with the Berlin Philharmonic at the Philharmonie's Beethovensaal Beethoven Hall. I am planning a number of concerts of new music in Berlin You shall in this scheme play a leading part in one of them. Will you do me the honor of conducting En saga?
At the beginning of November. The Philharmonic Orchestra. Two rehearsals. Geh Zu Ihr - Puhdys - Ein Fest Für Die Sinne (DVD) beg you to give your word not to disappoint my hopes. I watch with the greatest delight your German successes which I foresaw as a certainty.
Sibelius seems to have countered with a choral work possibly the recently completed cantata The Origin of Firesince Busoni later replied, "Unfortunately I cannot give myself up to the uncertainty and inconvenience caused by singers Therefore, I believe we had better stick to the 'pure' orchestra".
Although Sibelius remained undecided between the Second Symphony and En saga until October, he Great Exploration - Consortium Project III* - Terra Incognita (The Undiscovered World) opted for the tone poem in revised form. The original version of the tone poem premiered on 16 February at Solemnity Hall of the University of Helsinki with Sibelius conducting the Helsinki Orchestral Society; the concert program also included Grieg's Peer Gynt Suite II and Schumann's Manfredas well as songs by various composers, all of which Kajanus conducted.
Although Sibelius had overhauled En saga expressly for the Busoni concert, the premiere of the revised version of Oppressions Each - Various - Matador Music - Volume Two tone poem fell not to Berlin but to Helsinki on 2 Novemberwith Kajanus conducting the Helsinki Orchestral Society; the program also included Svendsen's Second Symphony and Bruch's Violin Concerto No.
While Finnish critics praised En sagathere was a palpable sense the Helsinki concert was merely a dress rehearsal for the big Berlin unveiling. Finnish critics sought to buoy Sibelius by writing that, in their opinion, En saga was worthy of Op.9 - Sibelius* - Ashkenazy* • Stein* - Finlandia (Finlandia • Karelia Suite • En Saga Tap abroad, while the Finnish newspapers promoted the forthcoming concert heavily.
Busoni even embraced me". Out On The Ocean / Padeen ORafferty / Isabelle Blackley (Jigs) - The Boys Of The Lough - In The Tra Berlin critics' reaction to the second concert, however, was hostile. Otto Lessmann of Allgemeine Musik-Zeitung described the performance as "painful", noting acerbically, "If steps forward in art should be illustrated in such works, the muse would viel her head"; Op.9 - Sibelius* - Ashkenazy* • Stein* - Finlandia (Finlandia • Karelia Suite • En Saga Tap while, Rudolph Buck opined in Berliner Neueste Nachrichten"After the complete fiasco of the second concert, the announcement that these orchestral concerts would be continued in the autumn of sounded little short of blasphemous".
Following the concert, a confident Sibelius recounted for his wife the quality of both his art and his conducting:. It went very well. My En saga was the best novelty, I think.
I was very calm and conducted well The main thing is that I can conduct a world-class orchestra. And well! I am so calm and sure about my art now. I have been acknowledged as an accomplished 'artist' We could break through anywhere. And brilliantly. As Tawaststjerna notes, thanks to En sagaat last the "ice had been broken for Sibelius in Germany", a success for which he had long hoped.
Sibelius celebrated as Busoni's guest at a "lavish" dinner party. The creative origins of En saga remain somewhat uncertain, although Sibelius's statements to Ekman and Furuhjelm indicate the piece may have evolved from sketches for a septet or octet the composer had begun in — To date, however, researchers have been unable to recover the pre- En saga chamber piece, either as a completed manuscript or unfinished sketches again, if such a composition ever existed.
Gregory Barrett, professor of clarinet at the Northern Illinois University School of Music, has nonetheless sought to reclaim this purported "lost chamber masterpiece", arranging in the original orchestral tone poem for flute, clarinet, two violins, viola, cello, and string bass.
Contemporary accounts that describe the Barrett Fader - Total Life / Deceh - Fader / Thrive Outside Economy as a "reconstruction" are inaccurate; because Sibelius's —91 sketches do not survive, there is no way to know how similar Sibelius's own chamber piece was to the first orchestral version of En saga and, by extension, to Barrett's chamber arrangement.
Many reviews note the conspicuous absence of the tone poem's brass and percussion, although one of the performers, flautist Ilari Lehtinen, has argued the septet compensates by making "the intimate aspects of the work sound more personal and more heart-rending".
En saga is one of Sibelius's more commonly recorded tone poems, although it trails more famous compositions such as The Swan of Tuonela and Finlandia. The album premiered to considerable acclaim. Gramophone's James McCarthy characterized the record as perspective-changing, noting that the original versions of the pieces provided "fascinating material for comparison" and allowed "a glimpse of two familiar masterpieces in the making".
From Wikipedia, the free encyclopedia. Redirected from En Saga. If that's so it might be an effective piece, and no doubt is arranged with great skill, but it would have little similarity with any chamber piece that Sibelius wrote or in this case didn't write, I firmly believe.
I En Saga want to be a spoilsport but, if you're looking for a lost masterpiece, this has all the hallmarks of a red herring … please note also the distinction between an arrangement of an orchestral work and a reconstruction of a lost chamber work"! Jean Sibelius. Violin Concerto in D minorr. En sagar. Seven Songs, Op. Piano Sonata in F major Kyllikki List of compositions by Jean Sibelius.
Sibelius as the Composer of En sagadiptych by Gallen-Kallela Helsinki Orchestral Society. Philharmonia Orchestra. Royal Philharmonic Orchestra. Helsinki Philharmonic Orchestra. Royal Stockholm Philharmonic Orchestra. En Saga Swedish Radio Symphony Orchestra. Music and Arts CD Atlanta Symphony Orchestra. Telarc Pittsburgh Symphony Orchestra. Sony Alexander Gibson. Royal Scottish National Orchestra. Chandos CHAN Tuomas Ollila-Hannikainen. Tampere Philharmonic Orchestra.
Petri Sakari. Iceland Symphony Orchestra. Los Angeles Philharmonic. Warner Classics Ole Schmidt. Regis Suisse Romande Orchestra. NBC Symphony Orchestra. Lahti Symphony Orchestra. Moscow Philharmonic Orchestra. Berlin Symphony Orchestra. Philadelphia Orchestra. Pristine PASC Gothenburg Symphony Orchestra.
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