Label: RCA - 88883770032,Sony Music - 88883770032,ITV Studios Global Entertainment - 88883770032,Shiver - 88883770032 • Format: 2x, CD Compilation • Country: UK • Genre: Rock, Blues, Pop • Style: Rock & Roll, Pop Rock
Add Genre. Add Styles. Add Moods. Add Themes. Another song, "There's No Tomorrow," a recording by Tony Martin, had already adapted the musical theme. Freddy Bienstock, a representative of the publishing company Hill and Range and a go-between for Elvis Presley, was responsible for the idea of basing a new song on the tune.
Bienstock would cut deals with mostly Brill Building-type songwriters, and the arrangement with Presley was that the singer would get a substantial cut from the writer's and publisher's share of any songs he recorded from Hill and Range's catalog.
In this case, Bienstock had failed to get such a "cut-in" on "There's No Tomorrow," so he commissioned the team of Aaron Schroeder and Wally Gold to transform the old melody -- already in the public domain -- into a Presley pop vehicle. Schroeder, who worked on the music and arrangement, had co-written the Presley hit "Anyway You Want Me. He also went on to become a big-time producer and co-writer of pop songs like "It's My Party," a hit for Leslie Gore.
The team also wrote "Good Luck Charm" for Presley. It is a stunning effect. The dramatic delivery of the ballad is characteristic of romantic Italian folk and opera songs. Presley demonstrates that he also listened to Mario Lanza records. He was very proud of the long, high note at the end, a section that took him a few takes to get right. According to Peter Guralnick's Presley biography Careless Lovethe recording engineer Bill Porter offered to splice an ending onto another take of the song, but Presley refused, saying, "Bill, I'm going to do it all the way through, or I'm not going to do it.
The band Le Coup De Foudre - Eddy Mitchell - Eddy Mitchell Au Cinéma Palace an ample job of providing a vaguely Latin-tinged backing, with Jimmie Haskill on accordion, Dudley Brooks on piano, Ray Siegel on bass, D.
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