Label: Deutsche Grammophon - 471 154-2 • Series: Eloquence • Format: CD • Country: Germany • Genre: Classical •
Music for wind ensemble played an important role in Mozart 's Austria. Known as Harmoniemusik, such ensembles were based on a nucleus of a pair of bassoons to provide the bass, and two horns. Upper parts were provided by one or more pairs of treble winds, most frequently oboes and clarinets. Dispositions of this kind not only formed the basis of military bands, but also the Hausmusik of the lesser nobility, for whom wind ensembles were not only cheaper than employing a full orchestra, but also had the advantage of being suitable for both outdoor and indoor performance.
Mozart himself introduces one function of Harmoniemusik in the supper scene of Don Giovanni, where the Don is seen enjoying his supper to the accompaniment of some of the popular operatic tunes of the day played by his own wind ensemble. During his Slowdown - Paul Anka - The Music Man years Largo - Molto Allegro - Wolfgang Amadeus Mozart - Serenade Nr.
10 Gran Partita / Serenade Nr. 12 Salzburg, Mozart composed eight wind divertimentos, works almost certainly designed for outdoor use, and primarily intended to fall pleasingly on the ear as little more than background music. Mozart being Mozart, many movements, of course, transcend such modest pretensions. Nevertheless, the three great wind serenades Mozart composed after settling in Vienna in elevate the form to unprecedented heights.
While only one, the Serenade in C Minor, K. The first and most obvious difference between the Serenade in B flat and its Salzburg predecessors is the huge expansion in scale, both in terms of instrumentation and length. Instead of six or eight instruments, K. The presence of a double bass suggests that the work was intended for indoor rather than outdoor performance; this notion is augmented by the first recorded performance, which took place at a benefit concert given on March 23, at the Burgtheater in Vienna.
The concert was to benefit Mozart's friend Anton Stadlera Thief - Can - Delay 1968/Soundtracks clarinetist and basset horn player for whom he later composed both the Clarinet Quintet in A major, K. A member of the audience who heard the performance recorded the effect it made on him: " It consisted of thirteen instruments At each instrument sat a master--oh, what an effect it made--glorious and grand, excellent and sublime.
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