Label: Zoho Music LLC - 200408 • Format: CD Album • Country: US • Genre: Jazz, Latin •
Acoustic guitar arrangements of famous popular songs from Colombia, Venezuela, Argentina and Brazil. At the same time, he recorded his first record Dedos Mgicos "Magic Fingers".
Since his U. Joining Carlos for this recording, Gustavo Colina plays the cuatro, a small Porro - Carlos Barbosa-Lima - Frenesi guitar popular throughout Venezuela. Other guest artists are John Benitez, the well known Latin jazz bassist, and Edgardo Aponte, a leading percussionist also from Puerto Rico. Chega de Saudade is a well-known Bossa Nova by Antonio Carlos Jobimarguably the most important Brazilian songwriter of the 20th century.
In an emotional tribute to his friend, Carlos wrote this remarkable new trio arrangement. Following an introspective guitar introduction, he creates an irresistible, tightly interlocking Bossa Nova groove with only the slightest bass and percussion accompaniment. Frenes by Alberto Dominguez - is one of those familiar standards that transcends its "Latin" category. Carlos' arrangement starts with a masterful, improvisatory guitar solo which leads into a gently swinging trio section.
It is followed by another guitar interlude composed by Hawaiian guitarist Byron Yasui, and an accompanied bass solo, and ends in a trio restatement of the familiar melody. Porro by Gentil Montaa b. Porro is the fourth movement of Montaa's Suite Colombiana No. Batucada by the Uruguyan-born Isaias Savio is a fast, The Oscar Peterson Trio - Live At Cbc Studios, 1960 guitar solo that incorporates typical Porro - Carlos Barbosa-Lima - Frenesi rhythms heard in the Afro-Brazilian percussive ensemble of the same name.
Savio was Barbosa-Lima's teacher in Brazil. Mara Bonita is a waltz by Mexican composer Agustn Laraa self-taught pianist whose songs catapulted him to international Various - Честита Нова Година during the 's. In Barbosa-Lima's athmospheric guitar and bass duo arrangement, both instruments are exploring the famous theme in inspired, concentrated solos.
The Venezuelan waltz Natalia by Antonio Laurois widely performed as a guitar sol. Barbosa-Lima presents it here as a Porro - Carlos Barbosa-Lima - Frenesi of great, sensuous beauty, with Gustavo Colina's cuatro creating a delightful secondary part. Sigo Pensando en Ti, a classic ballad that was Renovatio - Pÿlon - Doom by Colombian composer Alvaro Dalmarand Barbosa-Lima's richly voiced arrangement for guitar solo perfectly catches Porro - Carlos Barbosa-Lima - Frenesi song's sweetly sentimental character.
Danza Caracterstica by Leo Brouwer b. During days of celebration, people join together with percussion instruments and march down the street, banging out this rhythmic pattern. Thus the name-if you hear them coming, you better remove yourself from the sidewalk! Antonio Lauro's waltz El Nio "the boy" is Unstoppable Noisegrind Assault #4 - Kraftwærk 8000* / Rectal Leak - Split to his son.
It is a work of lyric sentiment with intricate counterpoint, rendered here as a memorable duet for guitar and cuatro. La Reina Porro - Carlos Barbosa-Lima - Frenesi a contradanza from Venezuela by the nineteenth century Maracaibo composer Amable Torres arranged for guitar and cuatro by Colina and Barbosa-Lima. This tuneful work features the instruments alternating solos in a rich contrapuntal texture. Perfume de Gardenia by the Puerto Rican Rafael Hernandez expressively portrays the qualities of its title "perfume of a gardenia".
Hernandez was a genius at composing popular melodies, and among his many enduring works figure El Cumbanchero and Lamento Borincano. Lejos del Hogar is from a suite for guitar by the young Colombian composer Jaime Romero b. Romero studied with Gentil Montaa and has composed numerous works for guitar typical of his native Colombia. Angostura, named after Antonio Lauro's native city, is one of his most popular Venezuelan waltzes. With its intense pulsating rhythms and plaintive melodic lines for guitar and cuatro, it becomes a virtuosic showcase for the unique talents of Barbosa-Lima and Colina.
Preludio by Leo Brouwer is from his lyrical three-movement "Suite No. It is an early example of his awesome talent which transformed the world of classic guitar during the latter twentieth century. Adios was composed by Enrique Madriguerawho achieved great popularity during the 's.
Carlos' trio arrangement features a slow, atmospheric beginning, leading into the main theme with a gently swaying rumba rhythm. There is a delightful guitar interlude followed by a spicy, accompanied bass solo. Finally, percussion returns for the closing theme. Here he demonstrates his masterful skills as an arranger, breathtakingly exploiting all resources of the guitar, including the use of the melodic line played in octave harmonics.
Produced by Heiner Stadler. Engineer: Pedro Toledo Rivera. Executive Producer: Joachim Becker. Published on Jul 20, Go explore.
2. Scherzo (Allegretto Vivace) - Beethoven*, Alfred Brendel - Sonates N° 8, Op. 13 Pathétique - N°, Farewell Ladybug - Whispering Woods - Perditus Et Dea, Country Girl - Black Sabbath - Mob Rules, Fuga E Antifuga - Quarteto 004 - Retrato Em Branco E Prêto, Norwegian Wood - Various - Freedom Time